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Jackie Mittoo

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Jackie Mittoo (born Donat Roy Mittoo, 1948-1990) was a Jamaican keyboardist, composer and arranger who served as musical director and house-band leader at Coxsone Dodd's Studio One, where he played on and arranged a vast body of ska, rocksteady and early reggae recordings. A founding member of the Skatalites in 1964, he composed enduring organ-driven instrumentals and riddims such as "Darker Shade of Black" and helped shape Studio One classics like the Cables' "Baby Why." He emigrated to Toronto in the late 1960s, remaining active in Canada and briefly rejoining the Skatalites before his death from cancer in 1990.

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Type
person
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Well supported
People & rolesEvidence, memory & meta layers

Connections

Watch & listen

Open source ↗

MusicBrainz — Jackie Mittoo search

WEB · rights discovery only · musicbrainz source

MusicBrainz discovery source for Jackie Mittoo credits.

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Discogs — Jackie Mittoo

WEB · rights discovery only · discogs source

Discogs source for Jackie Mittoo credits/release trails.

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Jackie Mittoo - Drum Song | Official Audio

YOUTUBE · rights discovery only · performs

Official youtube upload (channel: Jackie Mittoo); embedded as a discovery-only reference pending editorial review.

View transcript · 10 lines

Automatic captions — a machine draft pending editorial review.

  1. 0:01[Music]
  2. 1:28a
  3. 1:32[Music]
  4. 2:28e
  5. 2:33[Music]
  6. 2:58a
  7. 3:00a [Music]
  8. 3:16[Music]
  9. 3:28all
  10. 3:31all [Music]
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In stories

Debate & reception

How people argued about the music — praise, criticism and public debate. See all debate & reception →

debate

Who authors a riddim? Bass, keys and the credit for the version

A long-running, documented industry debate framed from both sides. One position holds that the session musicians who wrote the foundation basslines and keyboard figures - the players behind rhythms like Real Rock and Full Up - are the uncredited authors of the version tradition. The other holds that authorship and rights sit properly with the producers and labels who commissioned, owned and marketed the masters. Neutral; a matter of public discussion, not a claim against any person. Sources: United Reggae (Leroy Sibbles interview); David Katz, Solid Foundation; Bass Culture.

Stance: session musicians as uncredited authors vs producers and labels as rights-holders