Joe Lickshot

Automatic captions — a machine draft pending editorial review.

1. 0:00But you see early be that was me teacher
2. 0:03But you see early be that was me teacher me legend him call me human gun anytime
3. 0:07me legend him call me human gun anytime
4. 0:07me legend him call me human gun anytime him say guns freeze I can't fire after
5. 0:11him say guns freeze I can't fire after
6. 0:11him say guns freeze I can't fire after freeze and when say gun release I lick
7. 0:14freeze and when say gun release I lick
8. 0:14freeze and when say gun release I lick shot more than I please
9. 0:17shot more than I please
10. 0:17shot more than I please [cough and clears throat]
11. 0:19early be the doctor that was my teacher
12. 0:24[music]
13. 0:26[music] >> there are men who are not given state
14. 0:28>> there are men who are not given state
15. 0:28>> there are men who are not given state recognition
16. 0:29recognition
17. 0:29recognition nor hailed by all. Yet their impact
18. 0:32nor hailed by all. Yet their impact
19. 0:32nor hailed by all. Yet their impact [music] echoes louder than noise ever
20. 0:34[music] echoes louder than noise ever
21. 0:34[music] echoes louder than noise ever could. Not because they're not special,
22. 0:36could. Not because they're not special,
23. 0:36could. Not because they're not special, but because true influence doesn't
24. 0:38but because true influence doesn't
25. 0:38but because true influence doesn't always come with applause. Nearly
26. 0:41always come with applause. Nearly
27. 0:41always come with applause. Nearly invisible to the spotlight, Joel
28. 0:43invisible to the spotlight, Joel
29. 0:43invisible to the spotlight, Joel Lickshot's intro shaped the sound of a
30. 0:45Lickshot's intro shaped the sound of a
31. 0:45Lickshot's intro shaped the sound of a generation. Setting the tone before a
32. 0:48generation. Setting the tone before a
33. 0:48generation. Setting the tone before a lyric was heard. This is the story of a
34. 0:50lyric was heard. This is the story of a
35. 0:50lyric was heard. This is the story of a man whose presence [music] at dance
36. 0:52man whose presence [music] at dance
37. 0:52man whose presence [music] at dance shaped an era. A vibes man who set the
38. 0:55shaped an era. A vibes man who set the
39. 0:55shaped an era. A vibes man who set the stage before the music came alive.
40. 0:58stage before the music came alive.
41. 0:58stage before the music came alive. >> [music]
42. 1:00>> [music]
43. 1:00>> [music] >> Born Harold Jackson in 1955 in downtown
44. 1:03>> Born Harold Jackson in 1955 in downtown
45. 1:04>> Born Harold Jackson in 1955 in downtown Kingston, Joe Lickshot grew up in the
46. 1:06Kingston, Joe Lickshot grew up in the
47. 1:06Kingston, Joe Lickshot grew up in the Cochburn Gardens community, attending
48. 1:08Cochburn Gardens community, attending
49. 1:08Cochburn Gardens community, attending Cochburn Gardens Primary [music]
50. 1:10Cochburn Gardens Primary [music]
51. 1:10Cochburn Gardens Primary [music] and Junior High School. From those
52. 1:12and Junior High School. From those
53. 1:12and Junior High School. From those streets, he carved a unique space
54. 1:14streets, he carved a unique space
55. 1:14streets, he carved a unique space [music] for himself in Jamaican music.
56. 1:16[music] for himself in Jamaican music.
57. 1:16[music] for himself in Jamaican music. As a master of dance hall and reggae
58. 1:19As a master of dance hall and reggae
59. 1:19As a master of dance hall and reggae intros, he set the stage for sound
60. 1:21intros, he set the stage for sound
61. 1:21intros, he set the stage for sound system [music] dub plates and hardcore
62. 1:23system [music] dub plates and hardcore
63. 1:23system [music] dub plates and hardcore cuts, shaping the energy of every dance
64. 1:26cuts, shaping the energy of every dance
65. 1:26cuts, shaping the energy of every dance and leaving his mark on a generation.
66. 1:29and leaving his mark on a generation.
67. 1:29and leaving his mark on a generation. Early in his life, he was known as jung
68. 1:31Early in his life, he was known as jung
69. 1:31Early in his life, he was known as jung list, a name tied to his work as a
70. 1:34list, a name tied to his work as a
71. 1:34list, a name tied to his work as a political activist with the PNP. But
72. 1:36political activist with the PNP. But
73. 1:36political activist with the PNP. But that name carried weight in the streets
74. 1:38that name carried weight in the streets
75. 1:38that name carried weight in the streets of Kingston, where it was often linked
76. 1:40of Kingston, where it was often linked
77. 1:40of Kingston, where it was often linked to gangs and street culture. One night
78. 1:43to gangs and street culture. One night
79. 1:43to gangs and street culture. One night at a Kilimanjaro dance, junglas nearly
80. 1:46at a Kilimanjaro dance, junglas nearly
81. 1:46at a Kilimanjaro dance, junglas nearly found himself in trouble with the police
82. 1:48found himself in trouble with the police
83. 1:48found himself in trouble with the police who came close to apprehending and
84. 1:50who came close to apprehending and
85. 1:50who came close to apprehending and [music] beating him because of the name.
86. 1:52[music] beating him because of the name.
87. 1:52[music] beating him because of the name. After that incident, little Twitch
88. 1:54After that incident, little Twitch
89. 1:54After that incident, little Twitch started calling him Don Lickshot and
90. 1:57started calling him Don Lickshot and
91. 1:57started calling him Don Lickshot and later through the influence of early be,
92. 1:59later through the influence of early be,
93. 2:00later through the influence of early be, the name evolved into [music] the Joe
94. 2:01the name evolved into [music] the Joe
95. 2:01the name evolved into [music] the Joe Lickshot the world would come to know, a
96. 2:04Lickshot the world would come to know, a
97. 2:04Lickshot the world would come to know, a name that would become synonymous with
98. 2:05name that would become synonymous with
99. 2:06name that would become synonymous with the pulse of dance hall [music] and
100. 2:07the pulse of dance hall [music] and
101. 2:07the pulse of dance hall [music] and reggae.
102. 2:10Joe's path to popularity, however, was
103. 2:13Joe's path to popularity, however, was shaped not just by names or reputation,
104. 2:15shaped not just by names or reputation,
105. 2:15shaped not just by names or reputation, [music]
106. 2:16[music]
107. 2:16[music] but by the streets themselves. As a
108. 2:18but by the streets themselves. As a
109. 2:18but by the streets themselves. As a young activist, he was familiar with the
110. 2:20young activist, he was familiar with the
111. 2:20young activist, he was familiar with the sharp cracks [music] of the 357 Magnum
112. 2:23sharp cracks [music] of the 357 Magnum
113. 2:23sharp cracks [music] of the 357 Magnum and the rattle of the M16, sounds that
114. 2:26and the rattle of the M16, sounds that
115. 2:26and the rattle of the M16, sounds that echo through Kingston during turbulent
116. 2:28echo through Kingston during turbulent
117. 2:28echo through Kingston during turbulent times. He listened, [music] studied, and
118. 2:31times. He listened, [music] studied, and
119. 2:31times. He listened, [music] studied, and learned to mimic these sounds, turning
120. 2:33learned to mimic these sounds, turning
121. 2:33learned to mimic these sounds, turning the energy of the streets [music] into a
122. 2:35the energy of the streets [music] into a
123. 2:36the energy of the streets [music] into a rhythm of his own. One night at a Gemini
124. 2:38rhythm of his own. One night at a Gemini
125. 2:38rhythm of his own. One night at a Gemini dance, he noticed the energy was low
126. 2:41dance, he noticed the energy was low
127. 2:41dance, he noticed the energy was low [music] and dull. Seeing an opportunity,
128. 2:43[music] and dull. Seeing an opportunity,
129. 2:43[music] and dull. Seeing an opportunity, he asked the DJ to let him step in. With
130. 2:46he asked the DJ to let him step in. With
131. 2:46he asked the DJ to let him step in. With precise explosive mimicry of gunshots,
132. 2:49precise explosive mimicry of gunshots,
133. 2:49precise explosive mimicry of gunshots, he brought the dance alive. That night,
134. 2:52he brought the dance alive. That night,
135. 2:52he brought the dance alive. That night, a new style was born. Joe Lickshot's
136. 2:55a new style was born. Joe Lickshot's
137. 2:55a new style was born. Joe Lickshot's intro became a sound that would set the
138. 2:57intro became a sound that would set the
139. 2:57intro became a sound that would set the stage for many dub plates and reggae and
140. 3:00stage for many dub plates and reggae and
141. 3:00stage for many dub plates and reggae and dance hall tracks that followed.
142. 3:04[music]
143. 3:06In 1987, Joe Lickshot's journey took
144. 3:09In 1987, Joe Lickshot's journey took [music] a difficult turn while he was in
145. 3:12[music] a difficult turn while he was in
146. 3:12[music] a difficult turn while he was in New York. That year, he found himself in
147. 3:14New York. That year, he found himself in
148. 3:14New York. That year, he found himself in trouble with the law after being caught
149. 3:17trouble with the law after being caught
150. 3:17trouble with the law after being caught engaging in the sale of illegal drugs.
151. 3:19engaging in the sale of illegal drugs.
152. 3:19engaging in the sale of illegal drugs. He was arrested and spent 3 days in
153. 3:22He was arrested and spent 3 days in
154. 3:22He was arrested and spent 3 days in jail, a moment that forced reflection
155. 3:24jail, a moment that forced reflection
156. 3:24jail, a moment that forced reflection and change. After his release, Joe
157. 3:27and change. After his release, Joe
158. 3:27and change. After his release, Joe returned to Jamaica, determined to
159. 3:29returned to Jamaica, determined to
160. 3:29returned to Jamaica, determined to refocus and continue his profession,
161. 3:31refocus and continue his profession,
162. 3:32refocus and continue his profession, choosing music and culture as his path
163. 3:34choosing music and culture as his path
164. 3:34choosing music and culture as his path forward. Back home, Joe poured his
165. 3:36forward. Back home, Joe poured his
166. 3:36forward. Back home, Joe poured his energy into his craft. His distinctive
167. 3:39energy into his craft. His distinctive
168. 3:39energy into his craft. His distinctive intro style became increasingly sought
169. 3:41intro style became increasingly sought
170. 3:41intro style became increasingly sought after and his voice began appearing
171. 3:43after and his voice began appearing
172. 3:43after and his voice began appearing across the reggae and dance hall
173. 3:45across the reggae and dance hall
174. 3:45across the reggae and dance hall landscape. He collaborated with a wide
175. 3:48landscape. He collaborated with a wide
176. 3:48landscape. He collaborated with a wide range of artists and producers,
177. 3:50range of artists and producers,
178. 3:50range of artists and producers, contributing to numerous recordings that
179. 3:53contributing to numerous recordings that
180. 3:53contributing to numerous recordings that carried his unmistakable presence. Over
181. 3:55carried his unmistakable presence. Over
182. 3:55carried his unmistakable presence. Over the years, his work included
183. 3:57the years, his work included
184. 3:57the years, his work included collaborations with Bunny General,
185. 3:59collaborations with Bunny General,
186. 3:59collaborations with Bunny General, Burrow Banton, Busy Signal, Mr. Vegas,
187. 4:02Burrow Banton, Busy Signal, Mr. Vegas,
188. 4:02Burrow Banton, Busy Signal, Mr. Vegas, Welton II, Mr. Williams and Pinchers,
189. 4:05Welton II, Mr. Williams and Pinchers,
190. 4:06Welton II, Mr. Williams and Pinchers, Terrace Riley, Mad Cobra, Ninjaman, and
191. 4:09Terrace Riley, Mad Cobra, Ninjaman, and
192. 4:09Terrace Riley, Mad Cobra, Ninjaman, and Early B among others. Beyond the studio,
193. 4:13Early B among others. Beyond the studio,
194. 4:13Early B among others. Beyond the studio, Joel Lickshot remained deeply rooted in
195. 4:15Joel Lickshot remained deeply rooted in
196. 4:15Joel Lickshot remained deeply rooted in live performances and sound system
197. 4:18live performances and sound system
198. 4:18live performances and sound system culture. He became a familiar and
199. 4:20culture. He became a familiar and
200. 4:20culture. He became a familiar and influential presence at dances, working
201. 4:22influential presence at dances, working
202. 4:22influential presence at dances, working closely with figures such as Early B and
203. 4:25closely with figures such as Early B and
204. 4:25closely with figures such as Early B and King Yellowman. Whether on record or in
205. 4:27King Yellowman. Whether on record or in
206. 4:27King Yellowman. Whether on record or in the heart of the sound system, Joel
207. 4:29the heart of the sound system, Joel
208. 4:29the heart of the sound system, Joel Lickshot helped shape the energy of the
209. 4:32Lickshot helped shape the energy of the
210. 4:32Lickshot helped shape the energy of the dance, leaving an imprint that continues
211. 4:34dance, leaving an imprint that continues
212. 4:34dance, leaving an imprint that continues to live on in reggae and dance hall
213. 4:36to live on in reggae and dance hall
214. 4:36to live on in reggae and dance hall culture. [music]
215. 4:42Over the years, others like Fuzzy Jones
216. 4:44Over the years, others like Fuzzy Jones and Jackie Knackshot joined him in the
217. 4:46and Jackie Knackshot joined him in the
218. 4:46and Jackie Knackshot joined him in the game, each bringing their own style and
219. 4:49game, each bringing their own style and
220. 4:49game, each bringing their own style and energy. Faces came and went, but Joel
221. 4:51energy. Faces came and went, but Joel
222. 4:51energy. Faces came and went, but Joel Lickshot remained steady, sharp, and
223. 4:54Lickshot remained steady, sharp, and
224. 4:54Lickshot remained steady, sharp, and always a step ahead. Still operating at
225. 4:57always a step ahead. Still operating at
226. 4:57always a step ahead. Still operating at the top of his craft. Behind the scenes,
227. 4:59the top of his craft. Behind the scenes,
228. 4:59the top of his craft. Behind the scenes, however, Joel was quietly fighting a
229. 5:02however, Joel was quietly fighting a
230. 5:02however, Joel was quietly fighting a personal battle. Prostate related health
231. 5:04personal battle. Prostate related health
232. 5:04personal battle. Prostate related health issues were slowly taking their toll,
233. 5:07issues were slowly taking their toll,
234. 5:07issues were slowly taking their toll, wearing down his body. Yet, he refused
235. 5:09wearing down his body. Yet, he refused
236. 5:09wearing down his body. Yet, he refused to let it define him. Even as his
237. 5:12to let it define him. Even as his
238. 5:12to let it define him. Even as his condition worsened, his commitment never
239. 5:15condition worsened, his commitment never
240. 5:15condition worsened, his commitment never faltered. Through the pain and strain,
241. 5:17faltered. Through the pain and strain,
242. 5:17faltered. Through the pain and strain, Joe continued to show up whenever he
243. 5:19Joe continued to show up whenever he
244. 5:19Joe continued to show up whenever he could, driven by the same love for music
245. 5:22could, driven by the same love for music
246. 5:22could, driven by the same love for music and community that had guided him from
247. 5:24and community that had guided him from
248. 5:24and community that had guided him from the very beginning. Joe Lickshot passed
249. 5:27the very beginning. Joe Lickshot passed
250. 5:27the very beginning. Joe Lickshot passed away on November 11th, 2025 at age 70,
251. 5:31away on November 11th, 2025 at age 70,
252. 5:31away on November 11th, 2025 at age 70, leaving behind a legacy of dedication,
253. 5:34leaving behind a legacy of dedication,
254. 5:34leaving behind a legacy of dedication, talent, and unwavering passion for the
255. 5:36talent, and unwavering passion for the
256. 5:36talent, and unwavering passion for the music he loved. again see me the veteran
257. 5:40music he loved. again see me the veteran
258. 5:40music he loved. again see me the veteran in the dance hall business and me
259. 5:42in the dance hall business and me
260. 5:42in the dance hall business and me bringing shot of the human gun in the
261. 5:45bringing shot of the human gun in the
262. 5:45bringing shot of the human gun in the dance hall industry [music]
263. 5:46dance hall industry [music]
264. 5:46dance hall industry [music] and bring it in the product and me I
265. 5:48and bring it in the product and me I
266. 5:48and bring it in the product and me I tell you it's a joy to be here if I
267. 5:51tell you it's a joy to be here if I
268. 5:51tell you it's a joy to be here if I never me and my voice I wouldn't be here
269. 5:54never me and my voice I wouldn't be here
270. 5:54never me and my voice I wouldn't be here the big 57 magnum
271. 5:58[cough]
272. 5:59[cough] and the 16
273. 6:0416 pound
274. 6:0616 pound [cough]
275. 6:08[cough]
276. 6:08[cough] Winchester off a wall.
277. 6:11Winchester off a wall.
278. 6:11Winchester off a wall. You hear that?
279. 6:13You hear that?
280. 6:14You hear that? [music]
281. 6:20[music]

Automatic captions — a machine draft pending editorial review.

1. 0:07Well now
2. 0:09Well now missile goes out
3. 0:10missile goes out
4. 0:10missile goes out in a computer FASHION
5. 0:12in a computer FASHION
6. 0:12in a computer FASHION THROUGH THE WORLD PAST THE SCENE WHAT'S
7. 0:15THROUGH THE WORLD PAST THE SCENE WHAT'S
8. 0:15THROUGH THE WORLD PAST THE SCENE WHAT'S LIKE WHAT I TELL YOU AND YOU CALL
9. 0:17LIKE WHAT I TELL YOU AND YOU CALL
10. 0:17LIKE WHAT I TELL YOU AND YOU CALL Superman scene a cool THE SHIP IS
11. 0:20Superman scene a cool THE SHIP IS
12. 0:20Superman scene a cool THE SHIP IS PASSING BY
13. 0:24>> [music]
14. 0:27>> over this ready
15. 0:29>> over this ready >> [music]
16. 0:34[music]
17. 1:23>> rough and tough way down there
18. 1:27>> rough and tough way down there in the ghetto
19. 1:29in the ghetto
20. 1:29in the ghetto I we be
21. 1:31I we be
22. 1:31I we be all the
23. 1:32all the
24. 1:32all the kids
25. 1:33kids
26. 1:33kids in [music] the ghetto
27. 1:38and style
28. 1:41let me
29. 1:42let me tell you what we do
30. 1:44tell you what we do
31. 1:44tell you what we do >> [music]
32. 1:45>> [music]
33. 1:45>> [music] >> here we go
34. 1:47>> here we go
35. 1:47>> here we go we sell sensi man in the ghetto
36. 1:52and my mama she [music] selling the
37. 1:54and my mama she [music] selling the market
38. 1:58>> [music]
39. 1:58>> [music] >> and my daddy is the handy man on the
40. 2:01>> and my daddy is the handy man on the
41. 2:01>> and my daddy is the handy man on the farm
42. 2:04he would do anything to get a dollar in
43. 2:08he would do anything to get a dollar in his hand
44. 2:10his hand
45. 2:11his hand >> [music]
46. 2:11>> [music]
47. 2:12>> [music] >> I was born
48. 2:13>> I was born
49. 2:14>> I was born and raised in the ghetto
50. 2:16and raised in the ghetto
51. 2:16and raised in the ghetto >> [singing and music]
52. 2:17>> [singing and music]
53. 2:17>> [singing and music] >> I saw
54. 2:18>> I saw
55. 2:18>> I saw children playing in the street
56. 2:22children playing in the street
57. 2:22children playing in the street children rocking to the beat
58. 2:24children rocking to the beat
59. 2:24children rocking to the beat we're [music] taking the ghetto out of
60. 2:26we're [music] taking the ghetto out of
61. 2:26we're [music] taking the ghetto out of town
62. 2:27town
63. 2:27town yes we're tired of being on the run
64. 2:30yes we're tired of being on the run
65. 2:30yes we're tired of being on the run we're taking [music] the ghetto out of
66. 2:32we're taking [music] the ghetto out of
67. 2:32we're taking [music] the ghetto out of town
68. 2:33town
69. 2:33town yes we're tired of being on the run
70. 2:38>> [music]
71. 2:43[music]
72. 3:00[music] >> listen to me oh
73. 3:03>> listen to me oh
74. 3:03>> listen to me oh trouble man
75. 3:05trouble man
76. 3:05trouble man >> [music]
77. 3:05>> [music]
78. 3:05>> [music] >> listen to what I got to say oh
79. 3:09>> listen to what I got to say oh
80. 3:09>> listen to what I got to say oh you know
81. 3:09you know
82. 3:09you know >> [music]
83. 3:11>> [music]
84. 3:11>> [music] >> he is watching you
85. 3:14>> he is watching you
86. 3:14>> he is watching you watching everything [music] you do
87. 3:19Daddy U man promotion VP turns the best
88. 3:21Daddy U man promotion VP turns the best [music] in reggae pop vocal and and
89. 3:24[music] in reggae pop vocal and and
90. 3:24[music] in reggae pop vocal and and Grammy award winner
91. 3:28listen to another one see
92. 3:31listen to another one see well said in action
93. 3:32well said in action
94. 3:32well said in action >> [music]
95. 3:33>> [music]
96. 3:33>> [music] >> second
97. 3:34>> second
98. 3:34>> second all I'm saying
99. 3:36all I'm saying
100. 3:36all I'm saying so
101. 3:38so
102. 3:38so one called Jack in action
103. 3:42well well said in action
104. 3:44well well said in action >> [music]
105. 3:46>> [music]
106. 3:46>> [music] >> Lord
107. 3:48>> Lord
108. 3:48>> Lord Lord mercy
109. 3:51Lord mercy
110. 3:51Lord mercy >> [music]
111. 3:51>> [music]
112. 3:51>> [music] >> Lord mercy
113. 3:54give me the rhythm rhythm rhythm
114. 3:57give me the rhythm rhythm rhythm and then you tune to THE DANCE [music]
115. 3:59and then you tune to THE DANCE [music]
116. 3:59and then you tune to THE DANCE [music] HALL
117. 4:00HALL
118. 4:00HALL GIVE ME THE RHYTHM rhythm rhythm
119. 4:03GIVE ME THE RHYTHM rhythm rhythm
120. 4:03GIVE ME THE RHYTHM rhythm rhythm and then you tune to the dance hall king
121. 4:06and then you tune to the dance hall king
122. 4:06and then you tune to the dance hall king oh we be up and [music] down the coast
123. 4:09oh we be up and [music] down the coast
124. 4:09oh we be up and [music] down the coast so so
125. 4:10so so
126. 4:10so so up and down the coast so so call me Jack
127. 4:13up and down the coast so so call me Jack
128. 4:13up and down the coast so so call me Jack in action
129. 4:14in action
130. 4:14in action all I'm putting in the selector
131. 4:16all I'm putting in the selector
132. 4:16all I'm putting in the selector ALL I'M PUTTING IN THE SELECTOR
133. 4:19ALL I'M PUTTING IN THE SELECTOR
134. 4:19ALL I'M PUTTING IN THE SELECTOR ADOLF HITLER ANTI-CHRIST [music] FOR THE
135. 4:21ADOLF HITLER ANTI-CHRIST [music] FOR THE
136. 4:21ADOLF HITLER ANTI-CHRIST [music] FOR THE GERMAN JOHN RAMBO FIGHT FOR THE NAZI
137. 4:25GERMAN JOHN RAMBO FIGHT FOR THE NAZI
138. 4:25GERMAN JOHN RAMBO FIGHT FOR THE NAZI OVER BERLIN NICHOLAS CAGE I LIKE DEAN
139. 4:27OVER BERLIN NICHOLAS CAGE I LIKE DEAN
140. 4:27OVER BERLIN NICHOLAS CAGE I LIKE DEAN ACROBAT TALKING TO TOMMY THREE
141. 4:30ACROBAT TALKING TO TOMMY THREE
142. 4:30ACROBAT TALKING TO TOMMY THREE REMARKABLE I LIKE DEAN CALL ME JERICHO
143. 4:34REMARKABLE I LIKE DEAN CALL ME JERICHO
144. 4:34REMARKABLE I LIKE DEAN CALL ME JERICHO JERICHO THROUGH OUR PROMOTION POSSE
145. 4:44WELL THAT WAS JACK IN action
146. 4:47WELL THAT WAS JACK IN action seen and then man in a ramp and them a
147. 4:48seen and then man in a ramp and them a
148. 4:48seen and then man in a ramp and them a fling shot
149. 4:50fling shot
150. 4:50fling shot seen our thing is a blank shot we are
151. 4:52seen our thing is a blank shot we are
152. 4:52seen our thing is a blank shot we are playing
153. 4:53playing
154. 4:53playing we don't kill nobody cuz when I in I
155. 4:55we don't kill nobody cuz when I in I
156. 4:55we don't kill nobody cuz when I in I music eat you feel no pain seen
157. 4:58music eat you feel no pain seen
158. 4:58music eat you feel no pain seen >> [music]
159. 5:07>> and then you tune to the dance hall king
160. 5:12and then you tune to the dance hall king
161. 5:15and then you tune to the dance hall king give me the rhythm
162. 5:16give me the rhythm
163. 5:16give me the rhythm rocking rocking
164. 5:18rocking rocking
165. 5:18rocking rocking and then you tune to the dance hall king
166. 5:20and then you tune to the dance hall king
167. 5:20and then you tune to the dance hall king >> [music]
168. 5:21>> [music]
169. 5:21>> [music] >> one Sunday morning come see
170. 5:24>> one Sunday morning come see
171. 5:24>> one Sunday morning come see me and me auntie under coffee tree
172. 5:27me and me auntie under coffee tree
173. 5:27me and me auntie under coffee tree we just a sit down under coffee tree
174. 5:30we just a sit down under coffee tree
175. 5:30we just a sit down under coffee tree and the sun is up and I will be king
176. 5:33and the sun is up and I will be king
177. 5:33and the sun is up and I will be king and then the youth them just a jump
178. 5:35and then the youth them just a jump
179. 5:35and then the youth them just a jump around
180. 5:36around
181. 5:36around >> [music]
182. 5:36>> [music]
183. 5:36>> [music] >> them just a listen to the A1 sound
184. 5:39>> them just a listen to the A1 sound
185. 5:39>> them just a listen to the A1 sound the ball jumping jumping jumping jumping
186. 5:41the ball jumping jumping jumping jumping
187. 5:41the ball jumping jumping jumping jumping jumping jumping jumping number one
188. 5:43jumping jumping jumping number one
189. 5:43jumping jumping jumping number one jumping jumping jumping jumping jumping
190. 5:44jumping jumping jumping jumping jumping
191. 5:44jumping jumping jumping jumping jumping jumping jumping number one
192. 5:51only tell them I know it
193. 5:55W
194. 5:56W >> [music]
195. 5:56>> [music]
196. 5:57>> [music] >> W
197. 6:00put in Horace
198. 6:01put in Horace and selfish with national
199. 6:03and selfish with national
200. 6:03and selfish with national dish people coming in that always spend
201. 6:06dish people coming in that always spend
202. 6:06dish people coming in that always spend days
203. 6:07days
204. 6:07days don't need Jamaica to wreck the music
205. 6:09don't need Jamaica to wreck the music
206. 6:09don't need Jamaica to wreck the music all the shooting from the cassette
207. 6:11all the shooting from the cassette
208. 6:12all the shooting from the cassette tape they took the tape we bought it
209. 6:13tape they took the tape we bought it
210. 6:13tape they took the tape we bought it from the record shop and this
211. 6:15from the record shop and this
212. 6:15from the record shop and this rocking up and over and over and over
213. 6:17rocking up and over and over and over
214. 6:17rocking up and over and over and over again this I'm going to do it over and
215. 6:18again this I'm going to do it over and
216. 6:18again this I'm going to do it over and over and over and over and over and over
217. 6:20over and over and over and over and over
218. 6:20over and over and over and over and over again I don't know what I'm going to do
219. 6:22again I don't know what I'm going to do
220. 6:22again I don't know what I'm going to do with all the local tracks [music]
221. 6:24with all the local tracks [music]
222. 6:24with all the local tracks [music] only for one summer to market don't make
223. 6:26only for one summer to market don't make
224. 6:26only for one summer to market don't make us respect nice and decent girls all the
225. 6:29us respect nice and decent girls all the
226. 6:29us respect nice and decent girls all the big [music] girls they are very
227. 6:30big [music] girls they are very
228. 6:31big [music] girls they are very fantastic don't make them make us feel
229. 6:33fantastic don't make them make us feel
230. 6:33fantastic don't make them make us feel like
231. 6:34like
232. 6:34like tricks don't make them girls are
233. 6:36tricks don't make them girls are
234. 6:36tricks don't make them girls are fantastic don't make them boys are
235. 6:39fantastic don't make them boys are
236. 6:39fantastic don't make them boys are dynamic
237. 6:40dynamic
238. 6:40dynamic don't make them
239. 6:41don't make them
240. 6:41don't make them >> [music]
241. 6:41>> [music]
242. 6:41>> [music] >> make us feel like complicated first
243. 6:43>> make us feel like complicated first
244. 6:43>> make us feel like complicated first hospital they are very popular I'm a
245. 6:46hospital they are very popular I'm a
246. 6:46hospital they are very popular I'm a polite guy but I don't like talking on
247. 6:48polite guy but I don't like talking on
248. 6:48polite guy but I don't like talking on the chick [music] don't make them girls
249. 6:50the chick [music] don't make them girls
250. 6:50the chick [music] don't make them girls make us feel like they are married they
251. 6:51make us feel like they are married they
252. 6:51make us feel like they are married they got the lipstick and they got the
253. 6:53got the lipstick and they got the
254. 6:53got the lipstick and they got the tingling if you talk to them they tell
255. 6:55tingling if you talk to them they tell
256. 6:55tingling if you talk to them they tell you get your business fixed don't make
257. 6:57you get your business fixed don't make
258. 6:57you get your business fixed don't make them girls make [music] us feel like
259. 6:58them girls make [music] us feel like
260. 6:58them girls make [music] us feel like they are married the problem with the
261. 7:00they are married the problem with the
262. 7:00they are married the problem with the girls is that they commit robbery they
263. 7:03girls is that they commit robbery they
264. 7:03girls is that they commit robbery they charge you for everything you want to
265. 7:05charge you for everything you want to
266. 7:05charge you for everything you want to see the problem with
267. 7:06see the problem with
268. 7:06see the problem with >> [music]
269. 7:06>> [music]
270. 7:06>> [music] >> the girls is that they come from the
271. 7:07>> the girls is that they come from the
272. 7:07>> the girls is that they come from the lake don't make them girls make us feel
273. 7:09lake don't make them girls make us feel
274. 7:09lake don't make them girls make us feel like they are divided by a tree
275. 7:13and one a la la la
276. 7:14and one a la la la >> [music]
277. 7:15>> [music]
278. 7:15>> [music] >> well let's talk about the chick
279. 7:16>> well let's talk about the chick
280. 7:16>> well let's talk about the chick larger
281. 7:18larger
282. 7:18larger fear
283. 7:19fear
284. 7:19fear and one a la la la
285. 7:21and one a la la la
286. 7:21and one a la la la one a la la
287. 7:22one a la la
288. 7:22one a la la they going to make it make it so much
289. 7:24they going to make it make it so much
290. 7:24they going to make it make it so much just make it make it they make it make
291. 7:26just make it make it they make it make
292. 7:26just make it make it they make it make it make it so much just make it make
293. 7:28it make it so much just make it make
294. 7:28it make it so much just make it make >> [music]
295. 7:29>> [music]
296. 7:29>> [music] >> yes man they make it make it make it
297. 7:31>> yes man they make it make it make it
298. 7:31>> yes man they make it make it make it make it one time pass it and they make
299. 7:33make it one time pass it and they make
300. 7:33make it one time pass it and they make it make it make
301. 7:35it make it make
302. 7:35it make it make real life pass it
303. 7:36real life pass it
304. 7:36real life pass it >> [music]
305. 7:36>> [music]
306. 7:36>> [music] >> and they make
307. 7:38>> and they make
308. 7:38>> and they make push up your waist for you not begging
309. 7:40push up your waist for you not begging
310. 7:40push up your waist for you not begging begging
311. 7:41begging
312. 7:41begging they know you want it so
313. 7:44they know you want it so
314. 7:44they know you want it so >> [music]
315. 7:44>> [music]
316. 7:44>> [music] >> they know you want it so everybody
317. 7:47>> they know you want it so everybody
318. 7:47>> they know you want it so everybody well I say call
319. 7:48well I say call
320. 7:48well I say call mighty massive large now
321. 7:51mighty massive large now
322. 7:51mighty massive large now missile goes out
323. 7:53missile goes out
324. 7:53missile goes out in A COMPUTER FASHION
325. 7:55in A COMPUTER FASHION
326. 7:55in A COMPUTER FASHION THROUGH THE WORLD PAST THE SCENE WHAT'S
327. 7:57THROUGH THE WORLD PAST THE SCENE WHAT'S
328. 7:57THROUGH THE WORLD PAST THE SCENE WHAT'S LIKE WHAT I TELL YOU
329. 7:59LIKE WHAT I TELL YOU
330. 7:59LIKE WHAT I TELL YOU AND YOU CALL Superman scene a cool the
331. 8:02AND YOU CALL Superman scene a cool the
332. 8:02AND YOU CALL Superman scene a cool the ship is passing by
333. 8:14a direct hit
334. 8:15a direct hit JOHN WAYNE
335. 8:17JOHN WAYNE
336. 8:17JOHN WAYNE COME DOWN
337. 8:18COME DOWN
338. 8:18COME DOWN RUN AWAY
339. 8:19RUN AWAY
340. 8:19RUN AWAY WELL SAID IN ACTION
341. 8:21WELL SAID IN ACTION
342. 8:21WELL SAID IN ACTION monkey shot
343. 8:22monkey shot
344. 8:22monkey shot back to the scene
345. 8:25back to the scene
346. 8:25back to the scene and one a la la
347. 8:27and one a la la
348. 8:27and one a la la one a la la la la and one better than
349. 8:29one a la la la la and one better than
350. 8:29one a la la la la and one better than them
351. 8:30them
352. 8:30them and
353. 8:31and
354. 8:32and one a [music] la la la la one a la la la
355. 8:33one a [music] la la la la one a la la la
356. 8:33one a [music] la la la la one a la la la la they just get the taxi boy
357. 8:37la they just get the taxi boy
358. 8:37la they just get the taxi boy they get the [music] taxi
359. 8:38they get the [music] taxi
360. 8:38they get the [music] taxi boy too much
361. 8:40boy too much
362. 8:40boy too much too much they want to fight
363. 8:43too much they want to fight
364. 8:43too much they want to fight well said in action action missile in
365. 8:47well said in action action missile in
366. 8:47well said in action action missile in all I'm putting in the selector
367. 8:49all I'm putting in the selector
368. 8:49all I'm putting in the selector missile in between
369. 8:51missile in between
370. 8:51missile in between scene
371. 8:52scene
372. 8:52scene now we are on PLAN STYLE
373. 8:55now we are on PLAN STYLE
374. 8:55now we are on PLAN STYLE ADOLF HITLER
375. 8:57ADOLF HITLER
376. 8:57ADOLF HITLER ANTI-CHRIST FOR THE GERMAN
377. 8:59ANTI-CHRIST FOR THE GERMAN
378. 8:59ANTI-CHRIST FOR THE GERMAN JOHN RAMBO
379. 9:01JOHN RAMBO
380. 9:01JOHN RAMBO FIGHT FOR THE NAZI OVER BERLIN
381. 9:04FIGHT FOR THE NAZI OVER BERLIN
382. 9:04FIGHT FOR THE NAZI OVER BERLIN NICHOLAS CAGE I LIKE DEAN ACROBAT
383. 9:07NICHOLAS CAGE I LIKE DEAN ACROBAT
384. 9:07NICHOLAS CAGE I LIKE DEAN ACROBAT TALKING TO TOMMY THREE REMARKABLE I LIKE
385. 9:10TALKING TO TOMMY THREE REMARKABLE I LIKE
386. 9:10TALKING TO TOMMY THREE REMARKABLE I LIKE DEAN call me
387. 9:12DEAN call me
388. 9:12DEAN call me Jericho
389. 9:14Jericho
390. 9:14Jericho September 1948
391. 9:16September 1948
392. 9:16September 1948 GERMAN RECRUIT THEIR ARMY ADOLF HITLER
393. 9:20GERMAN RECRUIT THEIR ARMY ADOLF HITLER
394. 9:20GERMAN RECRUIT THEIR ARMY ADOLF HITLER JET FIGHTER
395. 9:23THEY GO CAPTURE MAN LIKE BARRY G
396. 9:42>> [music]
397. 9:53[music]
398. 9:54[music] >> EASY
399. 9:55>> EASY
400. 9:55>> EASY HOW YOU FEELING
401. 9:57HOW YOU FEELING
402. 9:57HOW YOU FEELING >> HOW ARE YOU FEELING?
403. 9:58>> HOW ARE YOU FEELING?
404. 9:58>> HOW ARE YOU FEELING? >> [music]
405. 10:14[music]
406. 10:20>> CEASEFIRE.
407. 10:22>> CEASEFIRE. EASY.
408. 10:23EASY.
409. 10:23EASY. PLEASE.
410. 10:24PLEASE.
411. 10:24PLEASE. EASY.
412. 10:26EASY.
413. 10:26EASY. Big one, please.
414. 10:34Easy.
415. 10:35Easy. >> All of you people here,
416. 10:36>> All of you people here,
417. 10:36>> All of you people here, you're rough.
418. 10:37you're rough.
419. 10:37you're rough. That mean you're Rambo.
420. 10:39That mean you're Rambo.
421. 10:39That mean you're Rambo. Big man, Rambo. Rambo.
422. 10:44>> [music]
423. 10:49[music]
424. 11:25>> Now, where is my gun?
425. 11:28Ceasefire.
426. 11:29Ceasefire. >> [music]
427. 11:29>> [music]
428. 11:30>> [music] >> Easy.
429. 11:35>> [music]
430. 11:44[music]
431. 11:48>> Easy.
432. 11:49>> Easy. Ceasefire.
433. 11:58This one is called
434. 12:01the airline.
435. 12:26>> [music]
436. 12:54[music]
437. 13:13>> Ceasefire.
438. 13:15>> Ceasefire. Ceasefire.
439. 13:26And stop.
440. 13:27And stop. The thing called Gatling in a
441. 13:29The thing called Gatling in a
442. 13:29The thing called Gatling in a wheelbarrow.
443. 13:42Gatling in a wheelbarrow.
444. 13:58>> [music]
445. 14:08[music]
446. 14:41>> This one is called
447. 14:43>> This one is called blue thunder.
448. 15:07That's blue thunder.
449. 15:33>> [music]
450. 15:45[music]
451. 16:52>> Easy.
452. 17:28>> [music]
453. 17:33[music]
454. 18:53>> Easy.
455. 18:58>> [music]
456. 19:05[music]
457. 19:22>> EASY. EASY NOW.
458. 19:24>> EASY. EASY NOW. THIS ONE is called
459. 19:29This one is called
460. 19:32This one is called 1986.
461. 19:341986.
462. 19:36part two.
463. 19:39We come to Skyline and this is Daryl
464. 19:41We come to Skyline and this is Daryl Wars.
465. 19:42Wars.
466. 19:42Wars. And in the morning, it was Monday
467. 19:44And in the morning, it was Monday
468. 19:44And in the morning, it was Monday morning.
469. 19:45morning.
470. 19:45morning. We make a part two war.
471. 19:48We make a part two war.
472. 19:48We make a part two war. Come up to that place. Sounds like THE
473. 19:51Come up to that place. Sounds like THE
474. 19:51Come up to that place. Sounds like THE WAR.
475. 19:53FIRE!
476. 19:57STING LIKE A
477. 19:59STING LIKE A BUTTERFLY.
478. 20:01BUTTERFLY.
479. 20:01BUTTERFLY. FLOAT LIKE
480. 20:02FLOAT LIKE
481. 20:02FLOAT LIKE a butterfly.
482. 20:04a butterfly.
483. 20:04a butterfly. In the city of Don Feli Sound
484. 20:07In the city of Don Feli Sound
485. 20:07In the city of Don Feli Sound in the land OF BMP
486. 20:09in the land OF BMP
487. 20:09in the land OF BMP IN ONE BMP
488. 20:11IN ONE BMP
489. 20:11IN ONE BMP IN ORIGINAL BMP.