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IRIE FM
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Video: Ron Muschette Heads to Mello FM After Resigning from IRIE
WEB · rights discovery only · press sourceJamaica Gleaner entertainment desk.
Source link ↗IRIE FM official site
WEB · rights discovery only · source referenceClickable source URL for broadcast/media verification; external reference only.
Source link ↗IRIE FM — How Reggae Finally Became Mainstream
YOUTUBE · rights discovery only · video referenceYouTube video reference for IRIE FM/reggae radio context; verify channel and rights before public embed.
View transcript · 352 lines
Automatic captions — a machine draft pending editorial review.
- 0:00For the first time we could hear our
- 0:03For the first time we could hear our music, the music that connected with us
- 0:06music, the music that connected with us
- 0:06music, the music that connected with us on a spiritual deeper level. We could
- 0:09on a spiritual deeper level. We could
- 0:09on a spiritual deeper level. We could hear it all the time if we wanted to.
- 0:24Did you know that the land of reggae was
- 0:26Did you know that the land of reggae was busy suppressing reggae music at home up
- 0:28busy suppressing reggae music at home up
- 0:28busy suppressing reggae music at home up until 1990 while the rest of the world
- 0:31until 1990 while the rest of the world
- 0:31until 1990 while the rest of the world was enjoying it?
- 0:33was enjoying it?
- 0:33was enjoying it? Let me tell you about a man named Carl
- 0:34Let me tell you about a man named Carl
- 0:34Let me tell you about a man named Carl Young and the birth of a radio station
- 0:37Young and the birth of a radio station
- 0:37Young and the birth of a radio station named Irie FM.
- 0:40See, until 1973, the island had a daily
- 0:43See, until 1973, the island had a daily newspaper that was directly under the
- 0:46newspaper that was directly under the
- 0:46newspaper that was directly under the control of five members of the 21
- 0:48control of five members of the 21
- 0:48control of five members of the 21 families. We'll talk more about the 21
- 0:50families. We'll talk more about the 21
- 0:50families. We'll talk more about the 21 families later.
- 0:52families later.
- 0:52families later. Radio Jamaica was one of two radio
- 0:54Radio Jamaica was one of two radio
- 0:54Radio Jamaica was one of two radio stations on the island and it was
- 0:56stations on the island and it was
- 0:56stations on the island and it was entirely foreign owned. The other
- 0:58entirely foreign owned. The other
- 0:58entirely foreign owned. The other station, the Jamaica Broadcasting
- 0:59station, the Jamaica Broadcasting
- 0:59station, the Jamaica Broadcasting Corporation or JBC, was owned by the
- 1:02Corporation or JBC, was owned by the
- 1:02Corporation or JBC, was owned by the government, which at that time was
- 1:04government, which at that time was
- 1:04government, which at that time was technically then owned by the elite.
- 1:08technically then owned by the elite.
- 1:08technically then owned by the elite. And what I mean by that is the elite
- 1:09And what I mean by that is the elite
- 1:09And what I mean by that is the elite class was also the business class, which
- 1:11class was also the business class, which
- 1:11class was also the business class, which were responsible for major advertising
- 1:13were responsible for major advertising
- 1:13were responsible for major advertising on the the state-owned radio station.
- 1:15on the the state-owned radio station.
- 1:15on the the state-owned radio station. And so then the the advertisers that
- 1:18And so then the the advertisers that
- 1:18And so then the the advertisers that were responsible for the revenue was
- 1:20were responsible for the revenue was
- 1:20were responsible for the revenue was basically in charge of the station.
- 1:22basically in charge of the station.
- 1:22basically in charge of the station. Let me expound. As a Christian country,
- 1:25Let me expound. As a Christian country,
- 1:25Let me expound. As a Christian country, of course, both stations find it prudent
- 1:27of course, both stations find it prudent
- 1:27of course, both stations find it prudent to provide listeners with 17 and a
- 1:30to provide listeners with 17 and a
- 1:30to provide listeners with 17 and a quarter hours of weekly religious
- 1:31quarter hours of weekly religious
- 1:31quarter hours of weekly religious programming.
- 1:33programming.
- 1:33programming. 0.8% more time than it allotted to
- 1:360.8% more time than it allotted to
- 1:360.8% more time than it allotted to public affairs. 80% or 215 and a quarter
- 1:40public affairs. 80% or 215 and a quarter
- 1:40public affairs. 80% or 215 and a quarter hours of all airtime on AM radio is
- 1:43hours of all airtime on AM radio is
- 1:43hours of all airtime on AM radio is devoted to entertainment consisting of
- 1:45devoted to entertainment consisting of
- 1:45devoted to entertainment consisting of soap operas, quizzes, and North American
- 1:49soap operas, quizzes, and North American
- 1:49soap operas, quizzes, and North American style disc jockey programs.
- 1:52style disc jockey programs.
- 1:52style disc jockey programs. So you have to understand that reggae
- 1:54So you have to understand that reggae
- 1:54So you have to understand that reggae music at that time was largely protest
- 1:56music at that time was largely protest
- 1:56music at that time was largely protest music. A lot of the lyrics of this music
- 1:59music. A lot of the lyrics of this music
- 1:59music. A lot of the lyrics of this music was pro-Africa
- 2:01was pro-Africa
- 2:01was pro-Africa and was pushing the black majority to
- 2:05and was pushing the black majority to
- 2:05and was pushing the black majority to not only recognize
- 2:08not only recognize
- 2:08not only recognize their inherent strengths and to
- 2:10their inherent strengths and to
- 2:10their inherent strengths and to recognize that they are the majority,
- 2:12recognize that they are the majority,
- 2:12recognize that they are the majority, but also to reject these Eurocentric
- 2:15but also to reject these Eurocentric
- 2:15but also to reject these Eurocentric notions that the tiny white elite was
- 2:20notions that the tiny white elite was
- 2:20notions that the tiny white elite was pushing on the populace. It's also
- 2:22pushing on the populace. It's also
- 2:22pushing on the populace. It's also interesting to note that at that time
- 2:24interesting to note that at that time
- 2:24interesting to note that at that time Jamaica was a strong supporter of the
- 2:25Jamaica was a strong supporter of the
- 2:25Jamaica was a strong supporter of the anti-apartheid movement in South Africa.
- 2:28anti-apartheid movement in South Africa.
- 2:28anti-apartheid movement in South Africa. Meanwhile, at home, they were very much
- 2:31Meanwhile, at home, they were very much
- 2:31Meanwhile, at home, they were very much in the hands of the white elite and were
- 2:34in the hands of the white elite and were
- 2:34in the hands of the white elite and were not supporting any major black power
- 2:37not supporting any major black power
- 2:37not supporting any major black power movement at home.
- 2:39movement at home.
- 2:39movement at home. I quote, "Because the media owners and
- 2:41I quote, "Because the media owners and
- 2:41I quote, "Because the media owners and managers are a part of the very status
- 2:43managers are a part of the very status
- 2:43managers are a part of the very status quo that would be threatened by the
- 2:45quo that would be threatened by the
- 2:45quo that would be threatened by the redistribution of power within the
- 2:47redistribution of power within the
- 2:47redistribution of power within the society, any serious governmental
- 2:50society, any serious governmental
- 2:50society, any serious governmental initiative to achieve such
- 2:51initiative to achieve such
- 2:51initiative to achieve such redistribution will meet resistance from
- 2:54redistribution will meet resistance from
- 2:54redistribution will meet resistance from them." So, reggae music was relegated to
- 2:57them." So, reggae music was relegated to
- 2:57them." So, reggae music was relegated to a few songs in the afternoon hours and
- 3:01a few songs in the afternoon hours and
- 3:01a few songs in the afternoon hours and they always balanced it with like some
- 3:03they always balanced it with like some
- 3:03they always balanced it with like some North American songs. And that's why so
- 3:05North American songs. And that's why so
- 3:05North American songs. And that's why so many Jamaicans know soul and R&B songs
- 3:08many Jamaicans know soul and R&B songs
- 3:08many Jamaicans know soul and R&B songs word for word, because that's what
- 3:10word for word, because that's what
- 3:10word for word, because that's what That's all we had to listen to like 90%
- 3:13That's all we had to listen to like 90%
- 3:13That's all we had to listen to like 90% of the time. Reggae and dancehall music
- 3:15of the time. Reggae and dancehall music
- 3:15of the time. Reggae and dancehall music was mostly played in the late-night to
- 3:17was mostly played in the late-night to
- 3:17was mostly played in the late-night to early morning hours and sometimes on on
- 3:21early morning hours and sometimes on on
- 3:21early morning hours and sometimes on on a weekend, we could hear like a top 40
- 3:24a weekend, we could hear like a top 40
- 3:24a weekend, we could hear like a top 40 countdown or like a a top 100 countdown,
- 3:27countdown or like a a top 100 countdown,
- 3:28countdown or like a a top 100 countdown, but it was mainly
- 3:30but it was mainly
- 3:30but it was mainly North American and European music.
- 3:34North American and European music.
- 3:34North American and European music. So, the people were hungry for their
- 3:35So, the people were hungry for their
- 3:36So, the people were hungry for their music, the music that was the voice of
- 3:38music, the music that was the voice of
- 3:38music, the music that was the voice of the people, which was reggae music. Fast
- 3:40the people, which was reggae music. Fast
- 3:41the people, which was reggae music. Fast forward to August 1st, 1990,
- 3:44forward to August 1st, 1990,
- 3:44forward to August 1st, 1990, when Irie FM came on air with the
- 3:47when Irie FM came on air with the
- 3:47when Irie FM came on air with the slogan, "Reggae in the morning, reggae
- 3:50slogan, "Reggae in the morning, reggae
- 3:50slogan, "Reggae in the morning, reggae in the evening, and reggae at night.
- 3:53in the evening, and reggae at night.
- 3:53in the evening, and reggae at night. This is on the IRIE FM website. Critics
- 3:56This is on the IRIE FM website. Critics
- 3:56This is on the IRIE FM website. Critics said it was impossible to sustain a
- 3:58said it was impossible to sustain a
- 3:58said it was impossible to sustain a 24-hour reggae music station. In fact,
- 4:0124-hour reggae music station. In fact,
- 4:0124-hour reggae music station. In fact, so strong was the impact, it proved that
- 4:05so strong was the impact, it proved that
- 4:05so strong was the impact, it proved that this format was something the Jamaican
- 4:07this format was something the Jamaican
- 4:07this format was something the Jamaican public yearned for.
- 4:09public yearned for.
- 4:09public yearned for. The naysayers did not count on the
- 4:12The naysayers did not count on the
- 4:12The naysayers did not count on the strength of 40 years of rich, pulsating
- 4:15strength of 40 years of rich, pulsating
- 4:15strength of 40 years of rich, pulsating Jamaican music.
- 4:18Jamaican music.
- 4:18Jamaican music. IRIE FM had revolutionized the airwaves
- 4:21IRIE FM had revolutionized the airwaves
- 4:21IRIE FM had revolutionized the airwaves with its reggae format. Never before has
- 4:24with its reggae format. Never before has
- 4:24with its reggae format. Never before has Jamaica and her people been exposed to
- 4:26Jamaica and her people been exposed to
- 4:26Jamaica and her people been exposed to Jamaican culture and music in the way
- 4:28Jamaican culture and music in the way
- 4:28Jamaican culture and music in the way IRIE FM has done it.
- 4:30IRIE FM has done it.
- 4:30IRIE FM has done it. IRIE FM has developed a personal
- 4:32IRIE FM has developed a personal
- 4:32IRIE FM has developed a personal relationship with its listeners,
- 4:34relationship with its listeners,
- 4:34relationship with its listeners, unprecedented in Jamaican media as the
- 4:37unprecedented in Jamaican media as the
- 4:37unprecedented in Jamaican media as the acronym states, Innovative Radio
- 4:39acronym states, Innovative Radio
- 4:39acronym states, Innovative Radio Inspiring Everyone.
- 4:42Inspiring Everyone.
- 4:42Inspiring Everyone. In no time, IRIE FM carved out a special
- 4:46In no time, IRIE FM carved out a special
- 4:46In no time, IRIE FM carved out a special niche and endeared a large, loyal
- 4:49niche and endeared a large, loyal
- 4:49niche and endeared a large, loyal audience, becoming the people's number
- 4:52audience, becoming the people's number
- 4:52audience, becoming the people's number one radio station. You see, for the
- 4:54one radio station. You see, for the
- 4:54one radio station. You see, for the first time we were hearing ourselves.
- 4:56first time we were hearing ourselves.
- 4:57first time we were hearing ourselves. For the first time we could hear people
- 4:58For the first time we could hear people
- 4:58For the first time we could hear people speak patois freely on the radio,
- 5:02speak patois freely on the radio,
- 5:02speak patois freely on the radio, unhindered. For the first time we could
- 5:05unhindered. For the first time we could
- 5:05unhindered. For the first time we could hear our music, the music that connected
- 5:09hear our music, the music that connected
- 5:09hear our music, the music that connected with us on a spiritual, deeper level. We
- 5:12with us on a spiritual, deeper level. We
- 5:12with us on a spiritual, deeper level. We could hear it all the time if we wanted
- 5:14could hear it all the time if we wanted
- 5:14could hear it all the time if we wanted to. And suddenly, every person, every
- 5:18to. And suddenly, every person, every
- 5:18to. And suddenly, every person, every office, every taxi, every bus was
- 5:21office, every taxi, every bus was
- 5:21office, every taxi, every bus was playing IRIE FM.
- 5:23playing IRIE FM.
- 5:23playing IRIE FM. The DJs at IRIE FM were the first to
- 5:25The DJs at IRIE FM were the first to
- 5:25The DJs at IRIE FM were the first to give songs by Shabba Ranks, Papa San,
- 5:27give songs by Shabba Ranks, Papa San,
- 5:27give songs by Shabba Ranks, Papa San, Garnet Silk, Cutty Ranks, Tony Rebel,
- 5:29Garnet Silk, Cutty Ranks, Tony Rebel,
- 5:29Garnet Silk, Cutty Ranks, Tony Rebel, all those artists, to give them power
- 5:31all those artists, to give them power
- 5:31all those artists, to give them power play on the radio. Something that never
- 5:34play on the radio. Something that never
- 5:34play on the radio. Something that never happened before the birth of IRIE FM.
- 5:38happened before the birth of IRIE FM.
- 5:38happened before the birth of IRIE FM. And when it came to advertising, IRIE FM
- 5:41And when it came to advertising, IRIE FM
- 5:41And when it came to advertising, IRIE FM had a winning format. They used two
- 5:43had a winning format. They used two
- 5:43had a winning format. They used two people to do their voice overs in
- 5:46people to do their voice overs in
- 5:46people to do their voice overs in patois. You know, remember Pinky and
- 5:48patois. You know, remember Pinky and
- 5:48patois. You know, remember Pinky and Joobie? Yeah, completely won over the
- 5:50Joobie? Yeah, completely won over the
- 5:50Joobie? Yeah, completely won over the listenership. People were looking
- 5:52listenership. People were looking
- 5:52listenership. People were looking forward to the ads by Pinky and Joobie
- 5:55forward to the ads by Pinky and Joobie
- 5:55forward to the ads by Pinky and Joobie like they were some big um artists
- 5:58like they were some big um artists
- 5:58like they were some big um artists playing. Irie FM not only pioneered a
- 6:01playing. Irie FM not only pioneered a
- 6:01playing. Irie FM not only pioneered a 24-hour reggae format in Jamaica, but
- 6:0424-hour reggae format in Jamaica, but
- 6:0424-hour reggae format in Jamaica, but they also had programs on air that
- 6:08they also had programs on air that
- 6:08they also had programs on air that featured prominently featured African
- 6:11featured prominently featured African
- 6:11featured prominently featured African history. And also, they had um a
- 6:15history. And also, they had um a
- 6:15history. And also, they had um a segment, I think it was called Running
- 6:17segment, I think it was called Running
- 6:17segment, I think it was called Running Africa. They promoted not just African
- 6:20Africa. They promoted not just African
- 6:20Africa. They promoted not just African history, black empowerment, but also
- 6:24history, black empowerment, but also
- 6:24history, black empowerment, but also Rastafarianism.
- 6:26Rastafarianism.
- 6:26Rastafarianism. Remember now that there
- 6:29Remember now that there
- 6:29Remember now that there up until that time, we were and probably
- 6:32up until that time, we were and probably
- 6:32up until that time, we were and probably there still is uh some of it now wherein
- 6:35there still is uh some of it now wherein
- 6:35there still is uh some of it now wherein we we relegated Rastafarians to the back
- 6:38we we relegated Rastafarians to the back
- 6:38we we relegated Rastafarians to the back of the line. They were not a people who
- 6:41of the line. They were not a people who
- 6:41of the line. They were not a people who were to be celebrated and and and put at
- 6:44were to be celebrated and and and put at
- 6:44were to be celebrated and and and put at the front of the house. But, Irie FM put
- 6:47the front of the house. But, Irie FM put
- 6:47the front of the house. But, Irie FM put people like I-Lee Skelly on air, and
- 6:51people like I-Lee Skelly on air, and
- 6:51people like I-Lee Skelly on air, and she, a Rastafarian woman,
- 6:54she, a Rastafarian woman,
- 6:54she, a Rastafarian woman, really had um in her program a lot of
- 6:57really had um in her program a lot of
- 6:58really had um in her program a lot of knowledge and wisdom about black
- 7:00knowledge and wisdom about black
- 7:00knowledge and wisdom about black empowerment and Rastafarianism and
- 7:03empowerment and Rastafarianism and
- 7:03empowerment and Rastafarianism and African history. And so, nowadays, if
- 7:06African history. And so, nowadays, if
- 7:06African history. And so, nowadays, if you turn on the radio in Jamaica, you
- 7:08you turn on the radio in Jamaica, you
- 7:08you turn on the radio in Jamaica, you will hear a lot of reggae music. You
- 7:10will hear a lot of reggae music. You
- 7:10will hear a lot of reggae music. You will hear the other stations, the
- 7:12will hear the other stations, the
- 7:13will hear the other stations, the traditional stations that had existed
- 7:14traditional stations that had existed
- 7:15traditional stations that had existed pre-Irie FM, now you will hear them
- 7:18pre-Irie FM, now you will hear them
- 7:18pre-Irie FM, now you will hear them playing a lot of reggae music. But, this
- 7:22playing a lot of reggae music. But, this
- 7:22playing a lot of reggae music. But, this never used to be the case.
- 7:24never used to be the case.
- 7:24never used to be the case. Irie FM, when they saw that not only did
- 7:28Irie FM, when they saw that not only did
- 7:28Irie FM, when they saw that not only did the listeners
- 7:30the listeners
- 7:30the listeners move to Irie FM,
- 7:33move to Irie FM,
- 7:33move to Irie FM, I remember we're a black majority
- 7:34I remember we're a black majority
- 7:34I remember we're a black majority country.
- 7:36country.
- 7:36country. When the listeners moved to Irie FM, the
- 7:38When the listeners moved to Irie FM, the
- 7:38When the listeners moved to Irie FM, the whole musical landscape changed, the
- 7:40whole musical landscape changed, the
- 7:40whole musical landscape changed, the whole radio landscape changed. Karl
- 7:43whole radio landscape changed. Karl
- 7:43whole radio landscape changed. Karl Young also founded Zip 103 FM, which
- 7:46Young also founded Zip 103 FM, which
- 7:46Young also founded Zip 103 FM, which featured mainly reggae, dancehall, hip
- 7:49featured mainly reggae, dancehall, hip
- 7:49featured mainly reggae, dancehall, hip hop, rap, a lot of the music that
- 7:51hop, rap, a lot of the music that
- 7:51hop, rap, a lot of the music that resonates with black people.
- 7:53resonates with black people.
- 7:53resonates with black people. He died on June 10th, 2010, and was
- 7:56He died on June 10th, 2010, and was
- 7:56He died on June 10th, 2010, and was posthumously awarded a national honor
- 7:59posthumously awarded a national honor
- 7:59posthumously awarded a national honor for his contribution to Jamaica's
- 8:01for his contribution to Jamaica's
- 8:01for his contribution to Jamaica's culture.
IRIE FM official history
WEB · rights discovery only · source referenceClickable official source for IRIE FM launch/all-reggae format context.
Source link ↗Jamaica Observer — The birth of IRIE FM
WEB · rights discovery only · source referenceClickable newspaper source for IRIE FM first all-reggae format context.
Source link ↗RadioJM — IRIE FM listing
WEB · rights discovery only · source referenceClickable listening/listing source for IRIE FM frequencies/context.
Source link ↗Remembering Karl Young, Founder of IRIE FM
WEB · rights discovery only · archive sourceIRIE FM official site memorial feature.
Source link ↗