NOW VIEWINGRecord
Explore

ENTITY · PUBLICATION

IRIE FM

Well supported

A Jamaican publication or broadcaster associated with the global era. Starter record pending editorial verification.

At a glance

Type
publication
Confidence
Well supported
Technology, recording & industrySociety, politics & receptionEvents, festivals, clashes & institutionsEvidence, memory & meta layers

Connections

Watch & listen

Open source ↗

Video: Ron Muschette Heads to Mello FM After Resigning from IRIE

WEB · rights discovery only · press source

Jamaica Gleaner entertainment desk.

Source link ↗
Open source ↗

IRIE FM official site

WEB · rights discovery only · source reference

Clickable source URL for broadcast/media verification; external reference only.

Source link ↗

IRIE FM — How Reggae Finally Became Mainstream

YOUTUBE · rights discovery only · video reference

YouTube video reference for IRIE FM/reggae radio context; verify channel and rights before public embed.

View transcript · 352 lines

Automatic captions — a machine draft pending editorial review.

  1. 0:00For the first time we could hear our
  2. 0:03For the first time we could hear our music, the music that connected with us
  3. 0:06music, the music that connected with us
  4. 0:06music, the music that connected with us on a spiritual deeper level. We could
  5. 0:09on a spiritual deeper level. We could
  6. 0:09on a spiritual deeper level. We could hear it all the time if we wanted to.
  7. 0:24Did you know that the land of reggae was
  8. 0:26Did you know that the land of reggae was busy suppressing reggae music at home up
  9. 0:28busy suppressing reggae music at home up
  10. 0:28busy suppressing reggae music at home up until 1990 while the rest of the world
  11. 0:31until 1990 while the rest of the world
  12. 0:31until 1990 while the rest of the world was enjoying it?
  13. 0:33was enjoying it?
  14. 0:33was enjoying it? Let me tell you about a man named Carl
  15. 0:34Let me tell you about a man named Carl
  16. 0:34Let me tell you about a man named Carl Young and the birth of a radio station
  17. 0:37Young and the birth of a radio station
  18. 0:37Young and the birth of a radio station named Irie FM.
  19. 0:40See, until 1973, the island had a daily
  20. 0:43See, until 1973, the island had a daily newspaper that was directly under the
  21. 0:46newspaper that was directly under the
  22. 0:46newspaper that was directly under the control of five members of the 21
  23. 0:48control of five members of the 21
  24. 0:48control of five members of the 21 families. We'll talk more about the 21
  25. 0:50families. We'll talk more about the 21
  26. 0:50families. We'll talk more about the 21 families later.
  27. 0:52families later.
  28. 0:52families later. Radio Jamaica was one of two radio
  29. 0:54Radio Jamaica was one of two radio
  30. 0:54Radio Jamaica was one of two radio stations on the island and it was
  31. 0:56stations on the island and it was
  32. 0:56stations on the island and it was entirely foreign owned. The other
  33. 0:58entirely foreign owned. The other
  34. 0:58entirely foreign owned. The other station, the Jamaica Broadcasting
  35. 0:59station, the Jamaica Broadcasting
  36. 0:59station, the Jamaica Broadcasting Corporation or JBC, was owned by the
  37. 1:02Corporation or JBC, was owned by the
  38. 1:02Corporation or JBC, was owned by the government, which at that time was
  39. 1:04government, which at that time was
  40. 1:04government, which at that time was technically then owned by the elite.
  41. 1:08technically then owned by the elite.
  42. 1:08technically then owned by the elite. And what I mean by that is the elite
  43. 1:09And what I mean by that is the elite
  44. 1:09And what I mean by that is the elite class was also the business class, which
  45. 1:11class was also the business class, which
  46. 1:11class was also the business class, which were responsible for major advertising
  47. 1:13were responsible for major advertising
  48. 1:13were responsible for major advertising on the the state-owned radio station.
  49. 1:15on the the state-owned radio station.
  50. 1:15on the the state-owned radio station. And so then the the advertisers that
  51. 1:18And so then the the advertisers that
  52. 1:18And so then the the advertisers that were responsible for the revenue was
  53. 1:20were responsible for the revenue was
  54. 1:20were responsible for the revenue was basically in charge of the station.
  55. 1:22basically in charge of the station.
  56. 1:22basically in charge of the station. Let me expound. As a Christian country,
  57. 1:25Let me expound. As a Christian country,
  58. 1:25Let me expound. As a Christian country, of course, both stations find it prudent
  59. 1:27of course, both stations find it prudent
  60. 1:27of course, both stations find it prudent to provide listeners with 17 and a
  61. 1:30to provide listeners with 17 and a
  62. 1:30to provide listeners with 17 and a quarter hours of weekly religious
  63. 1:31quarter hours of weekly religious
  64. 1:31quarter hours of weekly religious programming.
  65. 1:33programming.
  66. 1:33programming. 0.8% more time than it allotted to
  67. 1:360.8% more time than it allotted to
  68. 1:360.8% more time than it allotted to public affairs. 80% or 215 and a quarter
  69. 1:40public affairs. 80% or 215 and a quarter
  70. 1:40public affairs. 80% or 215 and a quarter hours of all airtime on AM radio is
  71. 1:43hours of all airtime on AM radio is
  72. 1:43hours of all airtime on AM radio is devoted to entertainment consisting of
  73. 1:45devoted to entertainment consisting of
  74. 1:45devoted to entertainment consisting of soap operas, quizzes, and North American
  75. 1:49soap operas, quizzes, and North American
  76. 1:49soap operas, quizzes, and North American style disc jockey programs.
  77. 1:52style disc jockey programs.
  78. 1:52style disc jockey programs. So you have to understand that reggae
  79. 1:54So you have to understand that reggae
  80. 1:54So you have to understand that reggae music at that time was largely protest
  81. 1:56music at that time was largely protest
  82. 1:56music at that time was largely protest music. A lot of the lyrics of this music
  83. 1:59music. A lot of the lyrics of this music
  84. 1:59music. A lot of the lyrics of this music was pro-Africa
  85. 2:01was pro-Africa
  86. 2:01was pro-Africa and was pushing the black majority to
  87. 2:05and was pushing the black majority to
  88. 2:05and was pushing the black majority to not only recognize
  89. 2:08not only recognize
  90. 2:08not only recognize their inherent strengths and to
  91. 2:10their inherent strengths and to
  92. 2:10their inherent strengths and to recognize that they are the majority,
  93. 2:12recognize that they are the majority,
  94. 2:12recognize that they are the majority, but also to reject these Eurocentric
  95. 2:15but also to reject these Eurocentric
  96. 2:15but also to reject these Eurocentric notions that the tiny white elite was
  97. 2:20notions that the tiny white elite was
  98. 2:20notions that the tiny white elite was pushing on the populace. It's also
  99. 2:22pushing on the populace. It's also
  100. 2:22pushing on the populace. It's also interesting to note that at that time
  101. 2:24interesting to note that at that time
  102. 2:24interesting to note that at that time Jamaica was a strong supporter of the
  103. 2:25Jamaica was a strong supporter of the
  104. 2:25Jamaica was a strong supporter of the anti-apartheid movement in South Africa.
  105. 2:28anti-apartheid movement in South Africa.
  106. 2:28anti-apartheid movement in South Africa. Meanwhile, at home, they were very much
  107. 2:31Meanwhile, at home, they were very much
  108. 2:31Meanwhile, at home, they were very much in the hands of the white elite and were
  109. 2:34in the hands of the white elite and were
  110. 2:34in the hands of the white elite and were not supporting any major black power
  111. 2:37not supporting any major black power
  112. 2:37not supporting any major black power movement at home.
  113. 2:39movement at home.
  114. 2:39movement at home. I quote, "Because the media owners and
  115. 2:41I quote, "Because the media owners and
  116. 2:41I quote, "Because the media owners and managers are a part of the very status
  117. 2:43managers are a part of the very status
  118. 2:43managers are a part of the very status quo that would be threatened by the
  119. 2:45quo that would be threatened by the
  120. 2:45quo that would be threatened by the redistribution of power within the
  121. 2:47redistribution of power within the
  122. 2:47redistribution of power within the society, any serious governmental
  123. 2:50society, any serious governmental
  124. 2:50society, any serious governmental initiative to achieve such
  125. 2:51initiative to achieve such
  126. 2:51initiative to achieve such redistribution will meet resistance from
  127. 2:54redistribution will meet resistance from
  128. 2:54redistribution will meet resistance from them." So, reggae music was relegated to
  129. 2:57them." So, reggae music was relegated to
  130. 2:57them." So, reggae music was relegated to a few songs in the afternoon hours and
  131. 3:01a few songs in the afternoon hours and
  132. 3:01a few songs in the afternoon hours and they always balanced it with like some
  133. 3:03they always balanced it with like some
  134. 3:03they always balanced it with like some North American songs. And that's why so
  135. 3:05North American songs. And that's why so
  136. 3:05North American songs. And that's why so many Jamaicans know soul and R&B songs
  137. 3:08many Jamaicans know soul and R&B songs
  138. 3:08many Jamaicans know soul and R&B songs word for word, because that's what
  139. 3:10word for word, because that's what
  140. 3:10word for word, because that's what That's all we had to listen to like 90%
  141. 3:13That's all we had to listen to like 90%
  142. 3:13That's all we had to listen to like 90% of the time. Reggae and dancehall music
  143. 3:15of the time. Reggae and dancehall music
  144. 3:15of the time. Reggae and dancehall music was mostly played in the late-night to
  145. 3:17was mostly played in the late-night to
  146. 3:17was mostly played in the late-night to early morning hours and sometimes on on
  147. 3:21early morning hours and sometimes on on
  148. 3:21early morning hours and sometimes on on a weekend, we could hear like a top 40
  149. 3:24a weekend, we could hear like a top 40
  150. 3:24a weekend, we could hear like a top 40 countdown or like a a top 100 countdown,
  151. 3:27countdown or like a a top 100 countdown,
  152. 3:28countdown or like a a top 100 countdown, but it was mainly
  153. 3:30but it was mainly
  154. 3:30but it was mainly North American and European music.
  155. 3:34North American and European music.
  156. 3:34North American and European music. So, the people were hungry for their
  157. 3:35So, the people were hungry for their
  158. 3:36So, the people were hungry for their music, the music that was the voice of
  159. 3:38music, the music that was the voice of
  160. 3:38music, the music that was the voice of the people, which was reggae music. Fast
  161. 3:40the people, which was reggae music. Fast
  162. 3:41the people, which was reggae music. Fast forward to August 1st, 1990,
  163. 3:44forward to August 1st, 1990,
  164. 3:44forward to August 1st, 1990, when Irie FM came on air with the
  165. 3:47when Irie FM came on air with the
  166. 3:47when Irie FM came on air with the slogan, "Reggae in the morning, reggae
  167. 3:50slogan, "Reggae in the morning, reggae
  168. 3:50slogan, "Reggae in the morning, reggae in the evening, and reggae at night.
  169. 3:53in the evening, and reggae at night.
  170. 3:53in the evening, and reggae at night. This is on the IRIE FM website. Critics
  171. 3:56This is on the IRIE FM website. Critics
  172. 3:56This is on the IRIE FM website. Critics said it was impossible to sustain a
  173. 3:58said it was impossible to sustain a
  174. 3:58said it was impossible to sustain a 24-hour reggae music station. In fact,
  175. 4:0124-hour reggae music station. In fact,
  176. 4:0124-hour reggae music station. In fact, so strong was the impact, it proved that
  177. 4:05so strong was the impact, it proved that
  178. 4:05so strong was the impact, it proved that this format was something the Jamaican
  179. 4:07this format was something the Jamaican
  180. 4:07this format was something the Jamaican public yearned for.
  181. 4:09public yearned for.
  182. 4:09public yearned for. The naysayers did not count on the
  183. 4:12The naysayers did not count on the
  184. 4:12The naysayers did not count on the strength of 40 years of rich, pulsating
  185. 4:15strength of 40 years of rich, pulsating
  186. 4:15strength of 40 years of rich, pulsating Jamaican music.
  187. 4:18Jamaican music.
  188. 4:18Jamaican music. IRIE FM had revolutionized the airwaves
  189. 4:21IRIE FM had revolutionized the airwaves
  190. 4:21IRIE FM had revolutionized the airwaves with its reggae format. Never before has
  191. 4:24with its reggae format. Never before has
  192. 4:24with its reggae format. Never before has Jamaica and her people been exposed to
  193. 4:26Jamaica and her people been exposed to
  194. 4:26Jamaica and her people been exposed to Jamaican culture and music in the way
  195. 4:28Jamaican culture and music in the way
  196. 4:28Jamaican culture and music in the way IRIE FM has done it.
  197. 4:30IRIE FM has done it.
  198. 4:30IRIE FM has done it. IRIE FM has developed a personal
  199. 4:32IRIE FM has developed a personal
  200. 4:32IRIE FM has developed a personal relationship with its listeners,
  201. 4:34relationship with its listeners,
  202. 4:34relationship with its listeners, unprecedented in Jamaican media as the
  203. 4:37unprecedented in Jamaican media as the
  204. 4:37unprecedented in Jamaican media as the acronym states, Innovative Radio
  205. 4:39acronym states, Innovative Radio
  206. 4:39acronym states, Innovative Radio Inspiring Everyone.
  207. 4:42Inspiring Everyone.
  208. 4:42Inspiring Everyone. In no time, IRIE FM carved out a special
  209. 4:46In no time, IRIE FM carved out a special
  210. 4:46In no time, IRIE FM carved out a special niche and endeared a large, loyal
  211. 4:49niche and endeared a large, loyal
  212. 4:49niche and endeared a large, loyal audience, becoming the people's number
  213. 4:52audience, becoming the people's number
  214. 4:52audience, becoming the people's number one radio station. You see, for the
  215. 4:54one radio station. You see, for the
  216. 4:54one radio station. You see, for the first time we were hearing ourselves.
  217. 4:56first time we were hearing ourselves.
  218. 4:57first time we were hearing ourselves. For the first time we could hear people
  219. 4:58For the first time we could hear people
  220. 4:58For the first time we could hear people speak patois freely on the radio,
  221. 5:02speak patois freely on the radio,
  222. 5:02speak patois freely on the radio, unhindered. For the first time we could
  223. 5:05unhindered. For the first time we could
  224. 5:05unhindered. For the first time we could hear our music, the music that connected
  225. 5:09hear our music, the music that connected
  226. 5:09hear our music, the music that connected with us on a spiritual, deeper level. We
  227. 5:12with us on a spiritual, deeper level. We
  228. 5:12with us on a spiritual, deeper level. We could hear it all the time if we wanted
  229. 5:14could hear it all the time if we wanted
  230. 5:14could hear it all the time if we wanted to. And suddenly, every person, every
  231. 5:18to. And suddenly, every person, every
  232. 5:18to. And suddenly, every person, every office, every taxi, every bus was
  233. 5:21office, every taxi, every bus was
  234. 5:21office, every taxi, every bus was playing IRIE FM.
  235. 5:23playing IRIE FM.
  236. 5:23playing IRIE FM. The DJs at IRIE FM were the first to
  237. 5:25The DJs at IRIE FM were the first to
  238. 5:25The DJs at IRIE FM were the first to give songs by Shabba Ranks, Papa San,
  239. 5:27give songs by Shabba Ranks, Papa San,
  240. 5:27give songs by Shabba Ranks, Papa San, Garnet Silk, Cutty Ranks, Tony Rebel,
  241. 5:29Garnet Silk, Cutty Ranks, Tony Rebel,
  242. 5:29Garnet Silk, Cutty Ranks, Tony Rebel, all those artists, to give them power
  243. 5:31all those artists, to give them power
  244. 5:31all those artists, to give them power play on the radio. Something that never
  245. 5:34play on the radio. Something that never
  246. 5:34play on the radio. Something that never happened before the birth of IRIE FM.
  247. 5:38happened before the birth of IRIE FM.
  248. 5:38happened before the birth of IRIE FM. And when it came to advertising, IRIE FM
  249. 5:41And when it came to advertising, IRIE FM
  250. 5:41And when it came to advertising, IRIE FM had a winning format. They used two
  251. 5:43had a winning format. They used two
  252. 5:43had a winning format. They used two people to do their voice overs in
  253. 5:46people to do their voice overs in
  254. 5:46people to do their voice overs in patois. You know, remember Pinky and
  255. 5:48patois. You know, remember Pinky and
  256. 5:48patois. You know, remember Pinky and Joobie? Yeah, completely won over the
  257. 5:50Joobie? Yeah, completely won over the
  258. 5:50Joobie? Yeah, completely won over the listenership. People were looking
  259. 5:52listenership. People were looking
  260. 5:52listenership. People were looking forward to the ads by Pinky and Joobie
  261. 5:55forward to the ads by Pinky and Joobie
  262. 5:55forward to the ads by Pinky and Joobie like they were some big um artists
  263. 5:58like they were some big um artists
  264. 5:58like they were some big um artists playing. Irie FM not only pioneered a
  265. 6:01playing. Irie FM not only pioneered a
  266. 6:01playing. Irie FM not only pioneered a 24-hour reggae format in Jamaica, but
  267. 6:0424-hour reggae format in Jamaica, but
  268. 6:0424-hour reggae format in Jamaica, but they also had programs on air that
  269. 6:08they also had programs on air that
  270. 6:08they also had programs on air that featured prominently featured African
  271. 6:11featured prominently featured African
  272. 6:11featured prominently featured African history. And also, they had um a
  273. 6:15history. And also, they had um a
  274. 6:15history. And also, they had um a segment, I think it was called Running
  275. 6:17segment, I think it was called Running
  276. 6:17segment, I think it was called Running Africa. They promoted not just African
  277. 6:20Africa. They promoted not just African
  278. 6:20Africa. They promoted not just African history, black empowerment, but also
  279. 6:24history, black empowerment, but also
  280. 6:24history, black empowerment, but also Rastafarianism.
  281. 6:26Rastafarianism.
  282. 6:26Rastafarianism. Remember now that there
  283. 6:29Remember now that there
  284. 6:29Remember now that there up until that time, we were and probably
  285. 6:32up until that time, we were and probably
  286. 6:32up until that time, we were and probably there still is uh some of it now wherein
  287. 6:35there still is uh some of it now wherein
  288. 6:35there still is uh some of it now wherein we we relegated Rastafarians to the back
  289. 6:38we we relegated Rastafarians to the back
  290. 6:38we we relegated Rastafarians to the back of the line. They were not a people who
  291. 6:41of the line. They were not a people who
  292. 6:41of the line. They were not a people who were to be celebrated and and and put at
  293. 6:44were to be celebrated and and and put at
  294. 6:44were to be celebrated and and and put at the front of the house. But, Irie FM put
  295. 6:47the front of the house. But, Irie FM put
  296. 6:47the front of the house. But, Irie FM put people like I-Lee Skelly on air, and
  297. 6:51people like I-Lee Skelly on air, and
  298. 6:51people like I-Lee Skelly on air, and she, a Rastafarian woman,
  299. 6:54she, a Rastafarian woman,
  300. 6:54she, a Rastafarian woman, really had um in her program a lot of
  301. 6:57really had um in her program a lot of
  302. 6:58really had um in her program a lot of knowledge and wisdom about black
  303. 7:00knowledge and wisdom about black
  304. 7:00knowledge and wisdom about black empowerment and Rastafarianism and
  305. 7:03empowerment and Rastafarianism and
  306. 7:03empowerment and Rastafarianism and African history. And so, nowadays, if
  307. 7:06African history. And so, nowadays, if
  308. 7:06African history. And so, nowadays, if you turn on the radio in Jamaica, you
  309. 7:08you turn on the radio in Jamaica, you
  310. 7:08you turn on the radio in Jamaica, you will hear a lot of reggae music. You
  311. 7:10will hear a lot of reggae music. You
  312. 7:10will hear a lot of reggae music. You will hear the other stations, the
  313. 7:12will hear the other stations, the
  314. 7:13will hear the other stations, the traditional stations that had existed
  315. 7:14traditional stations that had existed
  316. 7:15traditional stations that had existed pre-Irie FM, now you will hear them
  317. 7:18pre-Irie FM, now you will hear them
  318. 7:18pre-Irie FM, now you will hear them playing a lot of reggae music. But, this
  319. 7:22playing a lot of reggae music. But, this
  320. 7:22playing a lot of reggae music. But, this never used to be the case.
  321. 7:24never used to be the case.
  322. 7:24never used to be the case. Irie FM, when they saw that not only did
  323. 7:28Irie FM, when they saw that not only did
  324. 7:28Irie FM, when they saw that not only did the listeners
  325. 7:30the listeners
  326. 7:30the listeners move to Irie FM,
  327. 7:33move to Irie FM,
  328. 7:33move to Irie FM, I remember we're a black majority
  329. 7:34I remember we're a black majority
  330. 7:34I remember we're a black majority country.
  331. 7:36country.
  332. 7:36country. When the listeners moved to Irie FM, the
  333. 7:38When the listeners moved to Irie FM, the
  334. 7:38When the listeners moved to Irie FM, the whole musical landscape changed, the
  335. 7:40whole musical landscape changed, the
  336. 7:40whole musical landscape changed, the whole radio landscape changed. Karl
  337. 7:43whole radio landscape changed. Karl
  338. 7:43whole radio landscape changed. Karl Young also founded Zip 103 FM, which
  339. 7:46Young also founded Zip 103 FM, which
  340. 7:46Young also founded Zip 103 FM, which featured mainly reggae, dancehall, hip
  341. 7:49featured mainly reggae, dancehall, hip
  342. 7:49featured mainly reggae, dancehall, hip hop, rap, a lot of the music that
  343. 7:51hop, rap, a lot of the music that
  344. 7:51hop, rap, a lot of the music that resonates with black people.
  345. 7:53resonates with black people.
  346. 7:53resonates with black people. He died on June 10th, 2010, and was
  347. 7:56He died on June 10th, 2010, and was
  348. 7:56He died on June 10th, 2010, and was posthumously awarded a national honor
  349. 7:59posthumously awarded a national honor
  350. 7:59posthumously awarded a national honor for his contribution to Jamaica's
  351. 8:01for his contribution to Jamaica's
  352. 8:01for his contribution to Jamaica's culture.
Source link ↗
Open source ↗

IRIE FM official history

WEB · rights discovery only · source reference

Clickable official source for IRIE FM launch/all-reggae format context.

Source link ↗
Open source ↗

Jamaica Observer — The birth of IRIE FM

WEB · rights discovery only · source reference

Clickable newspaper source for IRIE FM first all-reggae format context.

Source link ↗
Open source ↗

RadioJM — IRIE FM listing

WEB · rights discovery only · source reference

Clickable listening/listing source for IRIE FM frequencies/context.

Source link ↗
Open source ↗

Remembering Karl Young, Founder of IRIE FM

WEB · rights discovery only · archive source

IRIE FM official site memorial feature.

Source link ↗

In stories