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Admiral Bailey (born Glendon Orville Bailey, 1966) is a Jamaican deejay who became one of the defining voices of the digital dancehall era after being brought to King Jammy's Waterhouse studio, reportedly via Josey Wales, having worked King Sturgav Hi-Fi. Working with Jammy he produced a string of late-1980s anthems including 'Politician', 'Big Belly Man', 'Jump Up' and the controversial 'Punaany', later re-cut as 'Healthy Body'. His hard, chant-like delivery over Jammy riddims made him a dancehall mainstay.

Agent Sasco, formerly known as Assassin, is a Jamaican dancehall and reggae artist whose career spans hardcore dancehall, conscious collaborations and reggae-revival-era projects, making him a bridge between deejay craft and newer roots-influenced networks.

Rapid-fire modern dancehall deejay (Sheldon Lawrence, b. 1981), leader of the 4th Genna crew, known for 'Lolly', 'Yeah Yeah' and hardcore lyricism; a prominent contemporary chanter of the streets-era dancehall.

Ainsley Grey was Killamanjaro's premier selector during the sound's breakthrough in the early-1980s live-artist era, a period in which Killamanjaro helped launch the careers of deejays including Early B, Super Cat, Lone Ranger and Ninjaman. He left Killamanjaro in 1985 to join a rival set assembled by Skeng Don.

Jamaican deejay Earlan Bartley, a leading voice of 2010s dancehall whose Vendetta following grew on tracks such as "Champion Boy," "City" and "After All.".

Anthony B (born Keith Anthony Blair, 1976) is a Jamaican Rastafarian deejay who emerged in the mid-1990s conscious-reggae wave from rural Trelawny. Linking with producer Richard "Bello" Bell at Star Trail Records, he became known for militant, socially critical lyrics, most notably the 1996 single "Fire Pon Rome," which was banned from Jamaican radio for targeting the Vatican. He has since maintained a long international touring career.

Anthony Red Rose is a Jamaican dancehall singer-deejay whose 1985 tune 'Tempo', recorded in one take after King Tubby overheard him rehearsing it and produced by King Jammy, gave its name to the widely versioned Tempo riddim and became a foundation record of the Waterhouse digital-dancehall style. He later co-founded the production label How Yu Fi Say Dat with fellow deejay Anthony Malvo.

Asher Senator (Peter St Aubyn) is a British MC raised in Clapham, South London, who began deejaying at 14 on the Buchanan sound system alongside Smiley Culture before joining Saxon Studio International's fast-chat crew; his 1986 solo album Born To Chat remains his best-known release.

Jamaican deejay Damian Beckett, who rose in the late 1990s with Dave Kelly's Madhouse label and later reached a global audience with "Ghetto Story" (2006) featuring Alicia Keys.

Leading dancehall deejay from the 1990s onward.

Jamaican roots-era deejay of the 1970s who voiced for Bunny Lee and other producers in the years when U-Roy's success opened the studios to toasters.

Big Youth (Manley Augustus Buchanan, born 19 April 1949) is a Jamaican deejay and toaster who became one of the most influential vocalists of 1970s roots reggae, known for a melodic, chanting, Rastafari-infused style. His 1973 debut album Screaming Target, produced by Gussie Clarke, set the benchmark for deejay albums and helped transform the deejay from party hype-man into a serious social and spiritual voice. He ranks alongside U-Roy, I-Roy and Dennis Alcapone among the foundational toasters whose approach influenced later dancehall and hip-hop.

The most prolific of the early-1980s Jamaican child deejays, whose "One Spliff a Day" (1981) was produced by Henry "Junjo" Lawes over a Roots Radics rhythm and mixed by Scientist at Channel One.

Bling Dawg (Marlon Ricardo Williams) is a Jamaican dancehall deejay raised between Kingston and Miami who began performing alongside touring Jamaican artists in 1994 before being introduced to the Shocking Vibes crew; his catalogue includes 'Say My Name', 'Perfect Lady' and 'Phone Call' with Vybz Kartel, and he now runs Dawg House Productions.

Major dancehall deejay and a central figure in clash culture.