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VP Music Group imprint named for Randy's Record Mart's Kingston address and used to reissue/curate classic Jamaican catalogue material.

17 North Parade is VP Records' reissue imprint, launched in 2007 and named for the Chin family's original Kingston address, dedicated to restoring and reissuing classic Jamaican recordings from the 1970s-80s with proper archival treatment.

Independent label founded in 1979 by Jerry Dammers of the Specials, backed by Chrysalis Records and based on Albany Road in Earlsdon, Coventry; it released ska-revival records by the Specials, Madness and the Selecter that consciously drew on Jamaican ska, becoming defunct in 1986.

South London dub/lovers-rock label and studio founded 1979 by Neil 'Mad Professor' Fraser; a prolific 300-plus-release catalogue spanning dub, lovers rock and reggae, including 'Jah Shaka Meets Mad Professor At Ariwa Sounds'.

Leslie Kong's label associated with ska, rocksteady and early reggae releases by artists including Desmond Dekker and Toots & the Maytals.

Lee 'Scratch' Perry's own imprint tied to his Black Ark studio (mid-1970s), distinct from his earlier Upsetter label; issued roots and dub productions cut at Black Ark.

Sound system and label run by Maurice 'Jack Scorpio' Johnson; the sound started 1968 and the label emerged early 1980s from a Molynes Road studio, becoming a top early-ragga imprint (first hit Sassafrass 'Pink Eye', 1982) later recording Garnett Silk, Capleton and Beenie Man.

Blood and Fire Records was a UK reggae reissue label known for carefully curated roots and dub archival releases, helping reshape how international listeners understood 1970s Jamaican music through liner notes, remastering and catalogue recovery.

London label founded in 1960 as an imprint of Emil Shalit's Melodisc, set up by Siggy Jackson to release Jamaican R&B and ska in Britain. Its biggest star was Prince Buster ('Al Capone'), and for several years the 'Blue Beat' name became a byword for Jamaican music in the UK, embraced by mod and skinhead subcultures before new releases ceased around 1967. Source note: Wikipedia (Blue Beat Records / Melodisc Records).

Channel One was a Kingston studio and label built in 1972 by the Hoo Kim brothers - Joseph "Jo Jo" (producer), Ernest (engineer) and Paul (who ran the studio's sound system) - reaching its peak influence around 1975-76 with a heavier, "rockers" drum sound that reshaped roots reggae production. Paul Hoo Kim's killing in 1977 disrupted the studio, but Channel One remained a working space into the 1980s, hosting productions by Sly and Robbie and Henry "Junjo" Lawes.

New York (Bronx) reggae label launched 1971 by Brad 'Clocktower' Osbourne, tied to his Brad's Record Den; issued much Bunny Lee material plus Lee Perry, Augustus Pablo and Winston Riley productions.

Early imprint of Clement 'Coxsone' Dodd, predating/parallel to Studio One; carried ska and rocksteady productions from his Brentford Road operation. Distinct from the Studio One label proper.

Derrick Harriott set up Crystal Records (and Musical Chariot) after the Jiving Juniors split in 1962; issued his rocksteady and reggae productions with the Crystalites, including 'The Undertaker'.

Record label owned and run by the Birmingham reggae band UB40, which released the group's own later catalogue and also signed British lovers rock singer Winston Reedy after he toured with the band.

Digital-B was Bobby "Digital" Dixon's label and production house, a major late-1980s and 1990s bridge between digital dancehall, roots-conscious singers and the updated versions of classic rhythms that kept older Jamaican musical memory active in a new studio language.