STORY · SOUNDSYSTEM
House of Joy: the cabinet that built a nation's bass
Well supported
How a wartime radar technician's amplifier and speaker cabinet set the template for sound-system bass.
In late-1940s Kingston an engineer's homemade amplifier and giant speaker box turned the dance from a live band into a machine, and set the shape of every stack that followed.
From band to machine
By the mid-1950s the sound system had displaced the live band at Kingston dances, and the reason was hardware. Hedley Jones, a former radar technician, built a 1947 amplifier designed to reproduce a full audio spectrum with distinct treble, mid and bass, not merely to carry a voice across a yard.
The cabinet remembered as the House of Joy paired with that amplifier gave Tom the Great Sebastian its edge. Jones went on to build for rivals, so a single engineer's design propagated through the first generation of sounds, including Duke Reid and Coxsone Dodd.
The box came first; the music was shaped to fill it.
That inheritance is physical. The wardrobe-sized bass box set the ground layer of the stack, and building it made the box-man a foundational craftsperson whose name rarely reaches the record label.
