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Signature 1994 hit from Cidade Negra’s album Sobre Todas as Forças, a Brazilian reggae radio staple that helped cement the band’s national mainstream breakthrough.

Signature song from Chilean band Gondwana’s album Alabanza, one of the most remembered tracks in Chilean popular music and a staple of the Latin reggae canon.

Willi Williams's Studio One roots record for Clement "Coxsone" Dodd, cut on the "Real Rock" rhythm (recorded 1977, issued 1979) and famously covered by The Clash - a vivid case of a Studio One riddim reaching global rock audiences.

Lead single from Kardinal Offishall’s major-label debut, articulating Toronto’s West Indian presence in patois-inflected verse and becoming his first Top 20 Canadian solo hit; a remix paired him with Jamaican deejay Bounty Killer.

A Sister Nancy recording associated with Winston Riley's Techniques catalogue and the Stalag riddim, later becoming a global sample/reference point.

"Bam Bam" is Sister Nancy's 1982 song, produced by Winston Riley for his Techniques label over the Stalag riddim (built from Ansel Collins's 1974 "Stalag 17"); it is now regarded as one of the most sampled reggae recordings in hip-hop history.

Louisa Mark recording often cited in early UK lovers-rock histories.

Lead single from Collie Buddz’s 2007 self-titled Columbia Records debut, a reggae radio hit that topped charts in Jamaica, the UK and continental Europe and drew a Busta Rhymes remix.

"Everyone Falls in Love" by Tanto Metro & Devonte is a late-1990s dancehall crossover record, using singjay melody and duo interplay in a way that translated strongly to international radio and introduced many listeners to a softer dancehall sound.

"Everything I Own," Ken Boothe's 1974 cover of David Gates's Bread ballad, reached number one on the UK Singles Chart on October 26, 1974, staying there for three weeks - produced by Lloyd Charmers at Federal Records in Kingston, with Lloyd Parks on bass, Willie Lindo on guitar and the Maytals' Paul Douglas on drums.

"Footprints" by T.O.K. is a mid-2000s vocal cut on the Drop Leaf riddim, often cited in the one-drop/dancehall crossover moment when harmony groups, roots themes and polished rhythm production overlapped.

"Get Busy" by Sean Paul is the evidence-node counterpart to the Diwali riddim hit, retained here for cross-checking official video, label and release references tied to its 2002/2003 global chart run.

"Get Busy" by Sean Paul is the Diwali riddim's biggest international breakthrough, a dancehall single whose Billboard success made Lenky's rhythm and Jamaican deejay delivery part of early-2000s global pop radio.

"Heads High" by Mr. Vegas was a late-1990s breakout hit that helped push dancehall further into global club and radio circulation, pairing a memorable hook with the faster international traffic of the VP/Greensleeves compilation era.

Ini Kamoze's 1994 crossover hit carried dancehall phrasing and the "na na na" hook into global pop charts.