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One index for everything published: records, stories, watchable media, community memories and places. 20 stories published.

Story · ProbableThe backing singers step out front

Many of reggae's most durable solo careers started in someone else's harmony stack.

Story · Well supportedWhen the beat slowed: rocksteady's singers take the stage

The 1966 tempo drop turned a session-band music into an island of singers.

Story · ProbableJamaica's own lovers rock

While the diaspora built lovers rock in London studios, singers at home in Jamaica were writing their own sweet-voiced side of the story.

Story · ProbableThe studio band

How a handful of session players shaped record after record.

Story · Well supportedThe women who shaped the harmony era

Before the I-Threes, a chain of Kingston vocal trios gave reggae's harmony sound its female voice.

Story · Well supportedRecord shops as reggae infrastructure

Randy's, Rockers, Aquarius, Record Globe and later overseas retailers show how shops acted as A&R rooms, archives, distributors and community hubs.

Story · Well supportedRiddim and Reign: The Women Who Shaped Reggae and Dancehall

From the rocksteady queens and the first female producer to the I-Threes, the lovers-rock pioneers and the dancehall crown, women have carried Jamaican music from the studio floor to the world stage.

Story · Well supportedThe revival generation finds its voice

A 2010s wave of singers reclaimed roots reggae for a new century.

Story · Well supportedWomen in the control room and on the mic

Sonia Pottinger's labels, Treasure Isle singers and later dancehall voices complicate male-centred histories.

Story · Well supportedMusic Works '88: Gussie Clarke, the Rumours riddim and dancehall's clean crossover

A single 1988 rhythm carried Jamaican dancehall into American R&B radio.

Story · Well supportedOne riddim, many voices: how the version built Jamaican music

In Jamaica the rhythm track, not the finished song, is the durable unit of creativity.

Story · ProbableTorch-bearers

A running thread through Jamaican song: elders who hand the microphone directly to the next generation.

Story · ProbableToasting and the mic

How the sound-system deejay's live talk-over became recorded art.

Story · Well supportedThe producer owned the riddim

In Jamaica's foundation years the man who paid for the session owned the sound - and often the shop, the studio and the label too.

Story · Well supportedThe house bands that built the Jamaican sound

Singers and producers changed by the week; the studio band underneath them almost never did.

Story · ProbableFrom ska's first pop hit to dancehall's sample afterlife

A starter path from Millie Small's 1964 crossover to Sister Nancy and Marcia Griffiths in global dance memory.

Story · Well supportedDancehall bodies, voices and vibes men

Dancehall history is carried by dancers, crews, fashion, vocal sound effects, intros and the people who energise a dance without always being singers or selectors.

Story · Well supportedLovers rock: the diaspora builds its own reggae

In British-Jamaican bedrooms and blues dances, women singers made a genre of their own.

Story · ProbableThe night the riddim went digital

How a cheap keyboard preset in 1985 reset the sound of dancehall.

Story · Well supportedThree-part harmony and the roots message

The vocal trio carried Rastafari's word from Studio One into the roots era.