EXPLORE
Browse the whole archive
One index for everything published: records, stories, watchable media, community memories and places. 20 stories published.
Many of reggae's most durable solo careers started in someone else's harmony stack.
Story · Well supportedWhen the beat slowed: rocksteady's singers take the stageThe 1966 tempo drop turned a session-band music into an island of singers.
Story · ProbableJamaica's own lovers rockWhile the diaspora built lovers rock in London studios, singers at home in Jamaica were writing their own sweet-voiced side of the story.
Story · ProbableThe studio bandHow a handful of session players shaped record after record.
Story · Well supportedThe women who shaped the harmony eraBefore the I-Threes, a chain of Kingston vocal trios gave reggae's harmony sound its female voice.
Story · Well supportedRecord shops as reggae infrastructureRandy's, Rockers, Aquarius, Record Globe and later overseas retailers show how shops acted as A&R rooms, archives, distributors and community hubs.
Story · Well supportedRiddim and Reign: The Women Who Shaped Reggae and DancehallFrom the rocksteady queens and the first female producer to the I-Threes, the lovers-rock pioneers and the dancehall crown, women have carried Jamaican music from the studio floor to the world stage.
Story · Well supportedThe revival generation finds its voiceA 2010s wave of singers reclaimed roots reggae for a new century.
Story · Well supportedWomen in the control room and on the micSonia Pottinger's labels, Treasure Isle singers and later dancehall voices complicate male-centred histories.
Story · Well supportedMusic Works '88: Gussie Clarke, the Rumours riddim and dancehall's clean crossoverA single 1988 rhythm carried Jamaican dancehall into American R&B radio.
Story · Well supportedOne riddim, many voices: how the version built Jamaican musicIn Jamaica the rhythm track, not the finished song, is the durable unit of creativity.
Story · ProbableTorch-bearersA running thread through Jamaican song: elders who hand the microphone directly to the next generation.
Story · ProbableToasting and the micHow the sound-system deejay's live talk-over became recorded art.
Story · Well supportedThe producer owned the riddimIn Jamaica's foundation years the man who paid for the session owned the sound - and often the shop, the studio and the label too.
Story · Well supportedThe house bands that built the Jamaican soundSingers and producers changed by the week; the studio band underneath them almost never did.
Story · ProbableFrom ska's first pop hit to dancehall's sample afterlifeA starter path from Millie Small's 1964 crossover to Sister Nancy and Marcia Griffiths in global dance memory.
Story · Well supportedDancehall bodies, voices and vibes menDancehall history is carried by dancers, crews, fashion, vocal sound effects, intros and the people who energise a dance without always being singers or selectors.
Story · Well supportedLovers rock: the diaspora builds its own reggaeIn British-Jamaican bedrooms and blues dances, women singers made a genre of their own.
Story · ProbableThe night the riddim went digitalHow a cheap keyboard preset in 1985 reset the sound of dancehall.
Story · Well supportedThree-part harmony and the roots messageThe vocal trio carried Rastafari's word from Studio One into the roots era.
