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STORY · DANCEHALL

Jamaica's own lovers rock

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While the diaspora built lovers rock in London studios, singers at home in Jamaica were writing their own sweet-voiced side of the story.

Alongside the well-documented UK lovers rock scene, Jamaican singers and vocal groups kept building a home-grown, radio-friendly sweet-singing tradition of their own, from backing-singer duos to dancehall-era harmony quartets.

Not just a London story

The atlas already traces how the Jamaican diaspora built its own lovers rock sound in London studios. Less often told is the parallel, home-grown thread of sweet singing that never left Jamaica at all.

Audrey Hall spent much of the 1970s as a backing singer, working sessions alongside her sister Pam Hall behind Jimmy Cliff and Peter Tosh, before Donovan Germain built her into a solo hitmaker on his Penthouse label with "Smile" and "One Dance Won't Do," an answer record to Beres Hammond.

Romance never actually left the dancehall; it just kept a lower profile.

The quartet Home T shows the same current running through group harmony. Best known for the raucous "Pirates Anthem," the group's catalogue is full of soft, devotional singles, and its members quietly arranged and sang backup on J.C. Lodge's "Telephone Love" before producing a Shabba Ranks duet with singer Chevelle Franklin.

None of these records needed a diaspora audience to find their listeners. They were built, and broke, at home.

example · person · Well supportedPam Hall

Jamaican singer and prolific session harmony vocalist known for the lovers ballad "Dear Boopsie" and for backing vocals across countless reggae sessions.

example · person · Well supportedSanchez

Dancehall-era balladeer (Kevin Anthony Jackson) dubbed the "golden voice of reggae," whose smooth covers and originals - including the Penthouse hit "One in a Million" produced by Donovan Germain - defined the singing side of late-1980s and 1990s dancehall.

example · person · ProbableChevelle Franklin

Jamaican dancehall-era singer best known for her 1992 duet with Shabba Ranks, a remake of "Mr Loverman," produced by Clifton "Specialist" Dillon's Twin City Productions in partnership with the vocal group Home T.

profile · group · Well supportedHome T-4

Vocal quartet fronted by Michael Bennet(t), born 1962, whose 1980 hit "Irons In the Fire" led to a run of harmony singles and a role backing and arranging J.C. Lodge's "Telephone Love" (1988); in 1990 the group joined Shabba Ranks and Cocoa Tea on Gussie Clarke's "Pirates Anthem" before Bennett's later solo/production career as Home T.

profile · person · Well supportedAudrey Hall

Kingston-born singer (b. c.1948) who first recorded as half of the duo Dandy & Audrey with Dandy Livingstone in 1969, spent much of the 1970s and early '80s as a backing vocalist alongside her sister Pam Hall, and returned as a solo hitmaker in 1986 with "Smile" and "One Dance Won't Do," both produced by Donovan Germain for Penthouse.

example · person · ProbableJ.C. Lodge

British-born Jamaican singer and actress (June Carol Lodge) whose 'Telephone Love' became a signature dancehall-lovers hit and who, with 'Someone Loves You Honey', became one of the first Jamaican women signed to a major US label; a pioneering lovers rock singer.

argument · person · ProbableDonovan Germain

Donovan Germain is a Jamaican record producer who founded Penthouse Records and, after returning to Kingston in 1987, opened Penthouse Studio, one of the island's leading studios in the digital dancehall era. He guided the early career of Buju Banton, who joined the label in 1991 and recorded hits such as "Murderer," and worked alongside in-house engineer/producer Dave Kelly, developing artists including Wayne Wonder, Marcia Griffiths and Tony Rebel. Germain became one of the most successful reggae producers of the 1990s and served as Buju Banton's manager for many years.

argument · person · Well supportedBeres Hammond

Beres Hammond (born Hugh Beresford Hammond, 1955, Annotto Bay) is a Jamaican singer and songwriter celebrated as one of reggae's foremost lovers-rock and soul-influenced vocalists. After early work fronting the band Zap Pow, he achieved major success with Penthouse Records and producer Donovan Germain on the 1990 hit "Tempted to Touch," and later ran his own Harmony House label in partnership with VP Records. He was awarded the Order of Jamaica in 2013 for his contribution to Jamaican music.

place · label · ProbablePenthouse

A Jamaican record label associated with the dancehall era. Starter record pending editorial verification.