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Dub poetry and the reggae page

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Poets turned reggae cadence, sound-system address and political speech into recorded and printed literature.

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Dub poetry sits between page, stage and studio. LKJ, Mutabaruka, Oku Onuora, Mikey Smith and Jean Binta Breeze show how Jamaican speech, bass culture and political memory travelled through albums, books and performance.

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Dub poetry sits deliberately between the page, the stage and the studio. Linton Kwesi Johnson, who moved from Jamaica to London as a child, coined the term itself in the 1970s to describe verse that stayed "word-first" - real poetry, not lyrics subordinated to a beat - while still carrying reggae's rhythm and, often, a live dub backing track built with producer Dennis Bovell. Johnson's own records (Dread Beat and Blood, Forces of Victory, Bass Culture) documented Black British politics of the 1970s-80s directly. In Jamaica, Mikey Smith carried the same form with Rastafarian and left political sympathies; he was killed in Kingston in August 1983, days after publicly heckling a government minister at a political rally, a death widely read as political retaliation. Johnson later released some of Smith's recordings on his own LKJ Records label, launched in 1981 - one dub poet using his platform to preserve another's work after his death.

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Source trail: Wikipedia (Linton Kwesi Johnson; Mikey Smith); Rough Guide to Reggae; Carolyn Cooper. Mikey Smith's death is described in multiple secondary sources as politically motivated, but circumstances and responsibility remain disputed - present as widely-reported context, not a settled legal finding.

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poet · person · Well supportedJean "Binta" Breeze

Jean "Binta" Breeze (11 March 1956 - 4 August 2021) is recognized as the first woman to write and perform dub poetry. She moved to Kingston in 1978 and studied at the Jamaican School of Drama, where she met Michael "Mikey" Smith and Oku Onuora; she made her stage debut alongside Mutabaruka in 1981, who went on to record her work, including "Aid Travels with a Bomb," on the compilation album "Word Sound 'ave Power.".

poet · person · Well supportedLinton Kwesi Johnson

Linton Kwesi Johnson, born in Jamaica in 1952 and raised from age eleven in London, coined the term "dub poetry" in the 1970s for verse performed over reggae rhythm that stayed "word-first" rather than subordinating the poetry to the music. His records, often made with producer Dennis Bovell, documented Black British politics directly - police harassment, immigration, the 1981 Brixton uprising - and his 1981 label LKJ Records later released work by other dub poets, including Mikey Smith.

poet · person · Well supportedMutabaruka

Mutabaruka (born Allan Hope, 26 December 1952) is a Jamaican Rastafari dub poet who began performing live with his band Truth in 1977, part of the wave of Jamaican poets who emerged in the early 1970s. He later became a prominent broadcaster, hosting two of Jamaica's most popular radio programmes, "The Cutting Edge" and "Steppin' Razor," extending his platform from poetry into cultural and political commentary.

poet · person · Well supportedOku Onuora

Oku Onuora (born Orlando Wong, 1952, in Franklin Town, Eastern Kingston) is widely credited as the father of dub poetry. He began writing poetry in prison in 1971 while campaigning for prison reform, and in 1974 became the first inmate allowed to perform live with a reggae band. After his release in 1977 he took the name Oku Onuora and began performing alongside other poets, including Mutabaruka.

poet · person · Well supportedMikey Smith

Mikey Smith was a Jamaican dub poet with Rastafarian sympathies and left political leanings, closely associated with Linton Kwesi Johnson and Mutabaruka. He was killed in Kingston in August 1983, days after publicly heckling a government minister at a political rally - a death widely read as politically motivated. Johnson later released some of Smith's recordings on his own LKJ Records label.

genre · genre · ProbableDub poetry

A Jamaican genre or form associated with the reggae era. Starter record pending editorial verification.